即使是这样，充满噪声的放映机很快就退出了主流，而音乐继续为电影伴奏。
Even if that were the case, noisy projectors were separated from the main house pretty quickly, yet music continued to accompany film.
几乎每家电影院都有钢琴或风琴为无声电影伴奏，无论这些电影院多么简陋。
Nearly every movie theater, however modest, had a piano or organ to provide musical accompaniment to silent pictures.
因此，电影制作人最终试图加强对电影的音乐伴奏的控制。
So eventually, film makers tried to get more control over the musical accompaniment of their films.
就像我说的，即使是最早的第一部公开放映的电影也有钢琴伴奏。
As I was saying, even the very first public projection of a film had piano accompaniment.
所以最终，电影制片人开始尝试控制音乐人的伴奏，专门规定该使用什么样的音乐和是用快节拍还是慢节拍来进行演奏。
So eventually, film makers tried to get more control over the musical accompaniment of their films, and specify what type of music to use and how fast or slow to play it.
为了解决以上的困难，电影发行公司开办了为音乐伴奏印制提示单的业务。
To help meet this difficulty, film distributing companies started the practice of publishing Suggestions for musical accompaniments.
最初，这些音乐伴奏与电影没有什么特别的关系，用什么曲子伴奏都行。
At first, the music played bore no special relationship to the films; an accompaniment of any kind was sufficient.
自从1892年以来，音乐就用于电影的伴奏中。
自从1892年以来，音乐就用于电影的伴奏中。
应用推荐