这便是生存的艺术。
生存的艺术是一个永无止尽的故事。
我们是在日常生活中学习生存的艺术。
大脚美学：恢复景观建筑，将设计当成生存的艺术。
The Big-Foot aesthetic: recovering landscape architecture as the art of survival.
只有通过这种生存的艺术才能形成一种新的文化。
It is only through this art of living that a new culture can come into being.
生存的艺术是一个永无止尽的故事。—影片《美国骗局》。
他们的生存方式仍旧是狩猎与采集，然而他们已经通过艺术来诠释世界。
They still live by hunting and gathering, but they're interpreting the world through art.
我们在荒谬、艺术中趋向了理想主义，纸月亮中有一件事情不可能发生：你看人们是多么的害怕、饥饿，但是乐意去做其他的事情去生存。
We tend to idealise the past in a ridiculous, cliched way and that's one thing that didn't happen in Paper Moon: you see how people were scared and hungry and willing to do extreme things to survive.
现今出现了许多了不起的极简艺术家，他们发掘到令人叹为观止的使用极少资源却能生存和生活的力量。
Sure, there are a lot of great minimalist teachers out there. Many who have tapped into the awesome power of living and thriving with less.
俞孔坚将景观设计定义为“生存艺术”，即通过规划、设计、工程、管理等方式成功处理环境带来的各种挑战。
Yu defines landscape architecture as "an art of survival" that successfully handles environmental challenges through planning, design, engineering, and management.
艺术是生存的一部分；艺术是人类精神的一部分，是人类证明自我价值的必然表现。
Art is part of survival; art is part of the human spirit, an unquenchable expression of who we are.
道德的必要性在于它是人类生存之智慧，是人生幸福的艺术。
The ethical necessity lies in that it is the intelligence of the human survival and the happy art in life.
从某些方面来说，这一点也不新鲜。艺术组织经常只能勉强维持，长期以来，它们不得不变得更有商业头脑，以保证自己的生存。
In some ways this is nothing new. Arts organisations have often lived hand-to-mouth and have long had to become more business-savvy to guarantee their survival.
真实的生活把各种艰难状况强加于我们，提醒我们艺术创作源于日常生存的微不足道的仪式。
Real life imposes its harsh conditions. And we are reminded that art-making comes from the small daily rituals of every day survival.
当代人的生存被合法地虚无掉了，这种合法化的生存危机只有通过艺术的“解合法化”才能克服。
The existence of the modern human race is legitimately confronted with crisis, which can only be "dissolved" by art.
戏曲作为一门综合性表演艺术，传播是其生存的方式，传播是其生命力的体现。
As a comprehensive exhibition art, communication is its living form and its embodiment of vitality.
对市民文化与公共艺术的关联研究有助于我们找到公共艺术生存的土壤。
To the citizen culture and public art association study will help us find public art survival soil.
它将艺术与技术、艺术与生活方式等结合起来开创了人类物质生活和文化生活的新的生存空间和文化空间。
It creates a new living space and culture space for people's substance life and culture life through combining art and technique, art and life style, etc.
显然，纵观历史，艺术创作的表达一直只是一个改善人类生存条件成为一切商业风险和经济繁荣的工具。
Clearly, the expression of artistic creativity throughout history has been just a instrumental in improving the human condition as any business venture or economic boom.
现代社会的女性艺术家尽管在社会地位和个体生存方面都有了较大的提高，在生存状态方面也有了翻天覆地的变化。
Although female artists in the modern society and the social status of individual survival have enhanced, the survival conditions have also been earth-shaking changes.
文中第三章主要论述复杂的环境中，艺术家对生存环境的态度还是起决定作用的。
In the article in the third chapter of main elaboration complex environment, the artist plays the decision role to the survival environment manner.
概念艺术家拉尔夫·麦夸里设计了这些绷带缠绕的面罩，将其作为一种应对沙尘暴中沙漠生存的实用措施。
Concept artist Ralph McQuarrie fashioned the bandaged mask look as a functional answer to desert survival in dust storms.
对生命，生存环境的关注，是艺术家的职责。
It's artists' responsibility to pay close attention to life and environment.
作为凝结和表现人类生存图式的一种精神创造过程的文学艺术，是有着其创作主体的。
As one kind of spiritual creation process, literature and art congealed and have displayed humanitys survival scheme, and have their creation main body.
不同的生存环境、不同的民族背景，产生出不同的民族文化艺术。
Ethnic arts had been born in different living environments and different nationality backgrounds.
但是不容置疑的是艺术作为一种高尚的传播媒体，在以自己的生存方式表达更有力的传输信息。而被大众日益接受。
But beyond that as a noble art media, in their own survival expression stronger transmission of information. And the growing acceptance by the public.
实验性写作：女性作者以先锋性的艺术形式表达性别与人类生存意识，展现女性散文新的内涵与叙事话语。
Experimental writing: female writers express the lives of genders and human in avantgarde article forms, presenting new meanings and new narrating discourse of prose.
实验性写作：女性作者以先锋性的艺术形式表达性别与人类生存意识，展现女性散文新的内涵与叙事话语。
Experimental writing: female writers express the lives of genders and human in avantgarde article forms, presenting new meanings and new narrating discourse of prose.
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