现代水墨画的发展前景是非常广阔和美好的。
We should be positive that the development of contemporary Chinese Painting has a broad and splendid future.
油画、版画、雕塑、陶瓷、现代水墨、图片摄影。
Oil paintings, prints, sculpture, ceramics, modern ink painting, picture photography.
1990年“十人现代水墨展”，首都博物馆，北京(联展)。
1990 "Contemporary Ink Painting Exhibition? Ten Artists", Capital Museum, Beijing (Group Exhibitions).
第四章通过对水墨现代性系统地论述表达出我对现代水墨前景的展望。
Chapter 4 outlook which pass to systematically discuss an expression me foreground to the modern water mo to the water mo modernity.
颜正安展出的作品是现代水墨，陈小丹的雕塑，是成千上万朵陶瓷的“花”；
This show is an exhibition of the works from eight woman artists with half of them being Chinese and half of them being abroad.
现代水墨画作品应邀先后在西班牙巴塞罗纳、荷兰祖特梅尔、日本崎玉越谷等地展览。
He has also been invited to exhibitions at Barcelona of Spain, Zoetermeer of Netherlands, and Koshigaya of Saitama in Japan for his modern ink and wash paintings.
从古代传统绘画中汲取营养，不断探索现代水墨人物画的艺术语言，丰富人物画的表现力。
Draw nutrition from ancient traditional painting. Explore article language of modern wash and figure painting unceasingly and enrich expression about figure painting.
中国传统绘画的空白形式，从上世纪八十年代起受到了极大的挑战，特别是在现代水墨画中，似乎更是踪迹难觅。
Traditional blank in China form, from the 80's of last century is biggest challenged, especially in modern water painting, apparently also the vestige of is difficult to find.
在与多元文化的交流中，中国现代水墨艺术积极探索形式法则，初步形成了新的笔墨观，城市文明已成为绘画的重要题材。
With the multicultural communication, Forms and laws are becoming more and more popular, and the new "ink and wash" concept has taken shape in modern Chinese ink and wash art.
这是一种现代中国水墨画极其少见的表现语言。
This is a very rare representational language in contemporary Chinese ink painting.
诚然，这是“水墨艺术”现代转型的阶段性成果，也是必然需要经历的过程，它和“坐井观天”有着本质性的区别。
Indeed, this is a periodic result of the modern transformation of "ink painting art" as well as a necessary process to go through, distinguishing itself from the "narrow-mindedness" in essence.
水墨鲜明的时代特征和民族性，使得艺术家以此推动中国文化与艺术的现代构建成为可能；
The ink painting of distinct features of times and nationality allows artists to promote Chinese culture and the art of modern construction become possible.
现代青花山水艺术与中国水墨画在秉承中国文化、体现中国独特的美学观等方面，有着很大的相似性。
There have great similar between modern Blue and White landscape and Chinese ink painting are in inheriting Chinese culture, reflecting China's unique aesthetic view etc.
这些作品虽然形式现代，夹杂使用其他媒体，却都深受中国传统水墨绘画的影响。
Their works, even though contemporary in nature and sometimes employing other materials and techniques, are profoundly indebted to traditional ink painting.
“身份问题”成为“水墨艺术”重新入主“现代性”、“国际化”的机遇，“实验水墨”也在这个时候被应急式地提出。
The "identity problem" becomes an opportunity for the "ink painting art" to re-enter the "modernization" and "internationalization", while the "experimental ink painting" urgently raised.
他善于运用铸造的工艺来创作作品、用现代的玻璃语汇诠释了中国传统的书法和水墨画卷。
Wang Qin interprets the tradition and style of Chinese calligraphy and ink painting through the medium of glass. All works are formed by the casting method.
“后现代之眼”的出现给“水墨艺术”带来了空前的身份解放，同时也使得“水墨艺术”获得超越固有本质和绘画媒介论的陷阱。
The appearance of the "post-modern eye" brought to the "ink painting art" an unprecedented liberation of identity as well as a trap that transcends the intrinsic nature and painting media theory.
前现代、现代、后现代的交织与共生加剧了“水墨”这一概念或主体的破裂和异化。
The intertwining and symbiosis of the pre-modern, modern and post-modern aggravates the rupture and alienation of this concept or subject of "ink painting".
魏青吉通过探索新的水墨表现形式和汲取传统及现代的各种图形元素，创造出令人惊叹的意象。
Wei Qingji's fictitious images are drawn from traditional and contemporary iconography, explored through ink and wash.
或者说，“水墨之眼”是在面对同一物的时候区别于“现代之眼”、“后现代之眼”的另类观看。
Or, "the eye of the ink painting" is an alternative viewing that distinguishes itself from "the eye of the modern" and "the eye of the post-modern" when confronted with the same object.
全球化背景，要求我们密切关注现代性问题，以努力使中国当代艺术与新水墨作品传达出新的文化或审美信息。
Globalization background, request we be close concern modernity problem, with effort make China contemporary art with new the water mo work inform new of culture or appreciate beauty an information.
进而，城市化所带来的都市题材成为现代性水墨即如艺术格局的切入点。
Then, the city turn the city topic for brings to become modernity water mo namely such as correspond of art structure and form point.
第三章是全文的中心，现代性水墨如何作为一种艺术语言进入当代艺术格局成为我们要讨论的焦点。
Chapter 3 center which is a full text, how modernity water mo is conduct and actions a kind of art language get into a contemporary art structure and form to become us to want the focus for discuss.
第三章是全文的中心，现代性水墨如何作为一种艺术语言进入当代艺术格局成为我们要讨论的焦点。
Chapter 3 center which is a full text, how modernity water mo is conduct and actions a kind of art language get into a contemporary art structure and form to become us to want the focus for discuss.
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