现代主义艺术家对车、椅子、鞋子、书籍、玩具甚至是空气进行创作。
"Modernist artists have made works with cars, chairs, shoes, books, toys and even air," says Samyn.
风格主义是现代主义艺术家的一个最独有的东西，在今天现代主义之后的作品就失去意义了！
The stylism is exclusive to the artist of the modernism. The stylism in the artwork of modernism means nothing today.
所以纳博科夫用某些特定的情感，来营造非个人化的境界，让读者像现代主义艺术家那样非个人化。
So Nabokov imbues that state of impersonality with certain kinds of emotion and then asks the reader to be as impersonal as that modernist artist also must be.
本文从艺术的视角，来关注女性艺术家对后现代主义之后女性本体的看法与认识，以及她们在创作中的表现。
The article pays attention to the opinions of female artists aboutwomen themselves after post-modernism, and the expressions in their works.
但是基佛的作品仍然是一种根本性的现代主义计划，以强调作品来反映殉难的艺术家，俨于那些无名的士兵。
Keifer's is still a fundamentally modernist project, foregrounding the hand of the artist, implicitly asserting the martyrdom of the artist as equivalent to that of the unknown soldier.
这是具有结构主义意味的人之死，事实上，在现代主义以来的艺术活动中，艺术家作为一个具体的“人”陷在一个巨大而无情的语言网络中，他被语言和结构吞噬了。
The death of men here has the implication of structuralism; in fact, since modernism, artists as concrete "men" have fallen into a huge and cruel artistic expression trap and are devoured by it.
这是具有结构主义意味的人之死，事实上，在现代主义以来的艺术活动中，艺术家作为一个具体的“人”陷在一个巨大而无情的语言网络中，他被语言和结构吞噬了。
The death of men here has the implication of structuralism; in fact, since modernism, artists as concrete "men" have fallen into a huge and cruel artistic expression trap and are devoured by it.
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