本文论述了幽玄意识的含义以及它与中国传统文化、传统艺术、现代艺术及现代人文环境的关系。
The paper discusses the meaning of tacit consciousness and the relationship between it with Chinese traditional culture, traditional art, modern art and human surrounding.
论文认为，幽玄意识就是世界不透明的意识，同时也是人的有限性的意识。
It points out that tacit consciousness is the limited consciousness of human being as well as the opaque consciousness of the world.
在众多的哲学理念中，关注“幽玄意识”应该是诸子经典文本解读中一个可能的向度。
In the many philosophic ideas, to pay attention to "the tacit consciousness" should be a possible dimensions to interpret the pre-Qin thinkers classical text.
幽玄一词起源于中国。
“空寂与幽玄”同样是有关时间在空间中的精神体验，最终走向于“无”，——传统美学中的精神家园。
"Emptiness and serenity" is a mental experience in both time and space, which finally leads to nothingness, the spiritual home of traditional Chinese aesthetics.
“空寂与幽玄”同样是有关时间在空间中的精神体验，最终走向于“无”，——传统美学中的精神家园。
"Emptiness and serenity" is a mental experience in both time and space, which finally leads to nothingness, the spiritual home of traditional Chinese aesthetics.
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