本论文选取“生命”视角切入狄尔泰美学思想的研究。
This thesis analyzes Dilthey's aesthetic ideology from the perspective of"life".
最近狄尔泰的生活哲学作为一种人类学的新形式产生了很大影响。
Currently Wilhelm Diltheys philosophy of life, a new form of anthropology, exercises a great deal of influence.
在狄尔泰看来，各门精神科学并不是彼此孤立的，其内部具有一定的联系。
Dilthey believed, every human science is not isolated each other. Its in fact has certain connection.
本论文的上篇挖掘并分析了德国生命哲学家狄尔泰为人所忽视的教育学思想。
The upper section of my thesis excavates and analyses German Life Philosopher Dilthey's unknown pedagogy thoughts.
本文以狄尔泰的《精神科学引论》为蓝本，分三个部分对其精神科学认识论进行阐述。
This essay considers Dilthey's Introduction to human Science as original version and divides into three parts to explain his human scientific epistemology.
对胡塞尔现象学和狄尔泰生命哲学的批判继承，是海德格尔前期人学思想的非常重要的来源。
Criticism of and inheritance from Husserl's phenomenology and Dilthey's philosophy of life are considered important sources of Heidegger's early humanology.
在传统观念中，身体总是隐藏在灵魂、上帝、理性的阴影中，而在叔本华、狄尔泰、马克思那里开始有了变化。
In tradition, the body always hidden in the soul, God, the shadow of a rational, and in Schopenhauer, Dilthey, Marx began to change that.
这就像狄尔泰一生的劳作所关注的中心话题。在他之后，海德格尔，称其 为“事实性的生活经验”、“此在”。
This is likewise the focus and central topic of Dilthey's lifelong labors and, after him, Heidegger's, who at that time (1919) was calling it "factic life-experience, " and later, Dasein.
尽管如此，狄尔泰的思想仍然是我们了解现代德国哲学的一把钥匙，也为我国目前的认识论研究提供了有益的启迪。
Nevertheless, his thought is still the key for us to understand modern German philosophy, as well as provides useful enlightenment for the present study of epistemology in our country.
“体验”概念是我们在阅读狄尔泰的著作时经常遇到的一个基本概念，它也是贯穿狄尔泰哲学始终的一个重要概念。
We will meet such concept as lived experience when we read the work of Dilthey , and it is a very important concept in Dilthey ' philosophy .
某种程度上可以说，缺乏对狄尔泰美学思想的认识和把握，就不可能正确理解现代西方美学思想和研究的来龙去脉。
To some extent, without Dilthey's understanding of aesthetics, it is impossible to correctly understand the modern western aesthetics and its development.
某种程度上可以说，缺乏对狄尔泰美学思想的认识和把握，就不可能正确理解现代西方美学思想和研究的来龙去脉。
To some extent, without Dilthey's understanding of aesthetics, it is impossible to correctly understand the modern western aesthetics and its development.
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