父权文化和制度把她们塑造成贞洁、沉默、顺从和低下的人。
Patriarchal culture and institutions constructed them as chaste, silent, obedient, and subordinate.
性别角色；父权文化； “雌雄同体”理想。
这跟父权文化对女人的一贯看法并没有很大差别。
That's not very different from what patriarchy always says about women.
由于父权文化的根深蒂固性，这种对抗往往走向悲剧性的结局。
Because of the deep-rooted patriarchal society, this kind of opposition is doomed to lead to a tragedy in the end.
但是和其它传统文学一样，许多传统童话被打上父权文化的烙印。
However, as part of traditional culture, fairy tales have been marked by patriarchal ideology.
但是作为传统文化的一部分，许多童话难免被打上父权文化的烙印。
However, as part of traditional culture, many fairy tales are marked by patriarchal ideology.
人类进入私有制后，在传统的父权文化的统治下，女性的形象受到丑化和弱化。
After entering the private system, female images under the rule of traditional paternity culture get ebbed and smeared.
爱玛的形象正因对父权文化提出了质疑和挑战，尽管“最不完美”，却弥足珍贵，魅力无穷。
This essay believes that, Emma, although called "the most flawed", is forever precious and attractive because of her challenge and opposition to the patriarchy culture.
被遮蔽在父权文化暗夜中的现代女性书写，以独特的视角和笔触，观照着女性个体生命的本质。
Under the darkness of patriarchy culture, the writing of modern female viewed the female's individual vital essence at a unique visual Angle and with typical writing.
而这种思想的来源则受到了原始女神崇拜神话和殷商文化的影响，也是对西周末年父权文化的一种反思。
This thought originated from primitive myths of goddess worship and Yin-Shang culture and also was a reflection on male chauvinism at the end of West Zhou Dynasty.
并且以《一间自己的屋子》和《到灯塔去》为例，阐述她对女性话语方式的选择更是彻底摒弃了父权文化统治下传统的表现手法。
In a Room of One's Own and To the Lighthouse, Woolf abandons the traditional utterance pattern of man-dominated literature and adopts the suitable expression method of women.
“共生”导致女性在潜意识中对母亲的依赖以及个体逃离这种关系的艰难； 而母亲形象由于受到几千年父权文化的建构，具有了双重的属性，在父权体制中起着辅助性的功能。
From the impact of "Strict Woman" on the thinking of the later offspring, it is a long and gradual process to change or even overthrow the patriarchy that has been established over thousands of yea.
这一观念确立于早期父权制文化，那时女人和小孩被看作财产，女孩在青春早期就被买卖婚姻交易。
This concept was established in early patriarchal cultures when women and children were considered property, and girls were sold into marriage in their early teens.
但由于父权制度的确立，“双性同体”思想逐渐从主流文化中隐退。
Because of the establishment of the patriarchy, androgyny gradually retreated from the mainstream society.
在目睹中国几千年父权制统治以及由此带来的男性主导的文化专权后，人们也质疑：中国是否存在真正意义上的“女性艺术”?。
After several thousand years' of patriarchic society and the consequent male-dominant culture, the existence of "Feminist Art" in its true sense in China is questioned, as it should be.
女性主义理论用解构的方式颠复文化中的父权意识，同时在解构理论的基础上建构独特的女性话语和女性文化。
Feminist theory subverts the patriarchal ideology by way of deconstruction, while at the same time endeavors to construct a unique female discourse and culture.
主要分析了自然危机和女性困境产生的原因，即父权制文化观念支配下的科技观、二元制思维方式和男性中心主义。
They are due to the concept of science and technology, dichotomy thinking mode and male chauvinism, which is dominated by the cultural conception of patriarchy.
从中国“孝”文化传统的主流来看，父权主义的主体原则、强势原则、血缘亲情的核心性原则、道德行动选择原则化的解释路向占据了绝对的主导地位。
The mainstream of the cultural tradition of "filial piety" in China shows the dominance of the principle of paternal authority, blood ties, and moral action.
韩国女性学首先要挑战的对象是根深蒂固的父权制和男性中心文化。
As the result and the extension of women's movement, the women's studies in Korea initially challenges the deep footed patriarchy and male-centred culture.
爱米丽的悲剧根源在于美国南方文化传统的清教主义思想下的父权制度。
The causes of Emily's tragedy lie in the paternalism and feminine morality of Puritanism governing the south of America.
本篇论文在探讨女性被刻板印象化表现的根源时发现，以父权制为代表的传统落后文化依然统治着当今中国。
In the exploration of origins of the stereotypical representation of women, it is found that the conventional concepts left behind from patriarchy still exist in present China as a dominant culture.
本篇论文在探讨女性被刻板印象化表现的根源时发现，以父权制为代表的传统落后文化依然统治着当今中国。
In the exploration of origins of the stereotypical representation of women, it is found that the conventional concepts left behind from patriarchy still exist in present China as a dominant culture.
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