不能说它只是又一部灾难片—它是一部杰作。
一个主要的分流派是灾难片。
灾难片是目前好莱坞重要的类型片之一。
Disaster film is one of the important film type of Hollywood.
我们迫切需要对灾难片的叙事规律进行探索和研究。
We urgently need to do the exploration and research on narrative rule of disaster film.
本文试图从文化的视角探讨中国为何缺少末日灾难片。
From the cultural perspectives, the writer attempts to analyze the reasons on the lack of doomsday disaster film in China.
像灾难片一样，许多房顶上仍然分散着许多小船，这里几乎没有居民走动。
Ships still sit scattered on top of houses like a disaster movie.There are very few residents wandering through here.
像灾难片一样，许多房顶上仍然分散着许多小船，这里几乎没有居民走动。
Ships still sit scattered on top of houses like a disaster movie. There are very few residents wandering through here.
当然这个新版本仍然是一部快节奏的动作片，陈可辛认为从结构上看它更接近于灾难片。
While the new version is still a fast-paced action movie, Mr. Chan believes it is closer to a disaster film in its structure.
对于好莱坞灾难片的评价不能简单的绝对化，应该辩证地分析其成功和不足之处。
Regarding the Hollywood disaster piece's appraisal cannot the simple making absolute, be supposed dialectical analysis its success and the deficiency.
最初，我实在不敢相信这一切都是真的，还以为又是好莱坞那些精于拍摄灾难片的巨匠们的又一杰作。
At first I could hardly believe all this was true, thinking it might have been another masterwork of those Hollywood super artists good at making disaster films.
10年前重量级灾难片《泰坦尼克号》男女主角莱昂纳多·迪卡普里奥和凯特·温斯莱特将重聚大银幕。
Titanic stars Leonardo DiCaprio and Kate Winslet are to reunite on the big screen, 10 years after the blockbuster disaster movie.
灾难片有这样的全球影响和巨大的市场空间，说明灾难片在一定程度上满足了观众听故事的需求。
Having such a global impact and huge market space, disaster films meet the needs of listening to stories of the audience to a certain extent.
泰坦尼克号是1997年美国史浪漫史诗灾难片，是由詹姆斯·卡梅隆导演，编剧，拍摄和剪辑的。
Titanicis a 1997 American epic romantic disaster film directed, written, co-produced, and co-edited by James Cameron.
今晚这部灾难片真的是看得惊心动魄，看到一半，一些情景让我想起这张照片，你们知道为什么吗？
The disaster movie tonight was exciting and gripping, half way through the movie I remembered this photo, do you know why?
在关于电影制作的一个短片中，他曾表示，比之其他的灾难片，这部电影更加“真实、感人、接地气” 。
The director says in a production featurette that his movie is"grounded, real and emotional" compared to other disaster films.
也许，你期待这将是又一部怪兽摧毁建筑、杀戮人类的灾难片，或者是一部除了视觉效果别无内容的影片。
You may expect the movie to be another disaster story in which monsters destroy buildings and kill people, or a movie with nothing more than good visuals.
正如一直受欢迎的灾难片的票房所表明的，身为同一个种族的我们大家，太清楚我们可能会怎样被尽数消灭。
As the continued popularity of disaster movies at the box office demonstrates, we are all too aware how, as a race, we might be wiped out.
下个月好莱坞灾难片《2012》将在影院上映。影片主要描述了地震、流星雨和将一艘航空母舰冲上白宫的海啸。
Next month Hollywood's "2012" opens in cinemas, featuring earthquakes, meteor showers and a tsunami dumping an aircraft carrier on the White House.
本文首次尝试以叙事学理论来系统参照灾难片，力图从叙事入手把握1990年代以来的美国灾难片叙事的特点和规律。
This is the first attempt to adopt narrative theories to study disaster films, trying to grasp narrative characteristics and laws of American disaster films since the 1990s.
火山喷发，洪水肆虐，巨轮撞上冰川，这些灾难场面并没有吓倒观众，反而给灾难片带来巨大的商业利润和很高的艺术成就。
The disaster scenes, such as volcano eruption, floods wreaking, hitting the iceberg, did not fear the audience, but bring great profits and high artistic achievement to the film makers.
这是一部充满活力，融入了娱乐性的恐怖片、灾难片、黑暗喜剧。它是如此的好看以至于我希望美国可以在未来几年重拍这部电影。
This is an energetic and highly entertaining combination of horror, disaster movie, and dark comedy, and it's so damn good I expect there to be an American remake within the next few years.
在这部以信仰为主题的叙事诗灾难片里，巨大的小行星正冲向地球，因而引发一系列的灾难性事件，一对父母四处寻找他们的独生孩子。
In this epic disaster film of faith, a mother and father search for their only child as a giant asteroid headed for Earth triggers a series of apocalyptic events.
泛舟之乐——如果初次约会就扬帆远航似乎的确像是一个灾难片的前兆，不过我们可以换个温和一些的选择，譬如在一个阳光的午后划独木舟，摇浆的小船，或是脚踏船都是不错的。
Go boating – The idea of sailing on a first date seems like a recipe for disaster but something milder, like canoeing, row boating, or taking a paddle boat out on a sunny afternoon would work well.
本片根据 1972 年灾难片经典《海神号遇难记》，由曾执导《特洛伊 木马屠城 》的渥夫冈彼得森重拍。 故事讲述一座豪华游轮在远航时遭遇滔天巨浪而翻覆，幸存着必须想办法找到逃生方法。
In this remake of the 1972 disaster classic 'The Poseidon Adventure', a luxury ocean liner capsizes from a colossal tidal wave, leaving its survivors to fend for themselves as they find a way out.
本片根据 1972 年灾难片经典《海神号遇难记》，由曾执导《特洛伊 木马屠城 》的渥夫冈彼得森重拍。 故事讲述一座豪华游轮在远航时遭遇滔天巨浪而翻覆，幸存着必须想办法找到逃生方法。
In this remake of the 1972 disaster classic 'The Poseidon Adventure', a luxury ocean liner capsizes from a colossal tidal wave, leaving its survivors to fend for themselves as they find a way out.
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