林格伦认为“一个镜头的限度内”的“潜力是极其有限的”。
Lindgren said that "one of the lens within the limits" of the "potential is very limited."
而以林格伦童话为代表的作品则具备了现代社会的狂欢色彩。
The fairy tale by Astrid Lindgren's works are represented with carnival colors of modern society.
本文着眼于用狂欢理论对林格伦作品进行审美关照和美学分析。
This article focuses on use of rave aesthetic theory Lindgren works of care and aesthetics.
林格伦的《长袜子皮皮》蜚声全球，主人公皮皮被誉为“世纪儿童”，成为了新世纪自由儿童的代表。
Lindgren's "Pippi Longstocking" familiar world, the hero Pipi known as "century child", as a representative of the new century, children free.
笔者希望通过自己尝试的这一新的论述角度能对于童话研究、林格伦研究以及对现代儿童文学研究搭建新的研究平台。
I hope that through his attempt to discuss this new perspective to study for the fairy tale, Lindgren research, and structures of modern children's literature research a new research platform.
弗洛伦斯和盖尔斯·乔普林夫妇在司格特十几岁时分居了。
Florence and Giles Joplin separated before Scott became a teenager.
敌意首先向敬意做了不情愿的妥协，接着对林柏格安全的担心做了让步。(华伦·特拉班特)。
Animosity had given way first to grudging concessions of admiration and then to worried solicitude for Lindbergh's safety Warren Trabant.
敌意首先向敬意做了不情愿的妥协，接着对林柏格安全的担心做了让步。(华伦·特拉班特)。
Animosity had given way first to grudging concessions of admiration and then to worried solicitude for Lindbergh's safety Warren Trabant.
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