杜尚·曼雷·皮卡比阿的艺术作品备受赞赏。
正是他的朋友马塞尔·杜尚使他领悟到了这一点。
杜尚的出现影响了西方现代艺术的进程。
Duchamp's appearance has influenced the process of western modern art.
但是杜尚让我们明白了原来艺术也可以是这样做。
在第一版‘绿书’发行的时候，杜尚给我写了一封我收到过的最美的信。
When the first 'green book' came off the press he wrote me the most beautiful letter I've ever received.
即带胡须的蒙娜·丽莎是达达主义派画家杜尚于1919年加工创作而成。
L. H. O. O. Q. is a mustached reproduction (1919) by Dada painter Marcel Duchamp.
杜尚，20世纪西方先锋艺术的鼻祖，他的出现改变了西方现代艺术的进程。
Du-champ, the originator of the 20th pioneering art of west, changed the development of western modern art.
自杜尚把自行车轮固定在一把凳子上起，先锋艺术家们就开始频频向理论家发难。
From (Duchamp) fixes at stools getting up bicycle wheel then on, vanguard begin frequent to raise difficult questions to the theoretician right away by artist.
杜尚人怎么样？“嗯，他是能你想象到的最具魅力的人物：和气，聪明，妙趣横生。”
What was Duchamp like? "Oh, he was the most charming person imaginable: kind and clever and witty."
本文从三个方面展开论述：其一，马塞尔·杜尚的艺术生涯：成长环境和成长阶段。
This text are discussed in three aspects: Its one, The art career of Marcel Duchamp: his growth background and growth phases are discussed.
我以为会是个大聚会，但实际上客人只有我，勒内·马格里特和他妻子，以及杜尚夫妇。
I thought it was going to be a big party, but the guests were me, Rene Magritte and his wife, and Marcel and his wife.
杜尚对现代设计的影响在于其反理性主义的“反艺术”创作思想开启了后现代主义设计。
While Duchamp's influence upon modem design roots in his unreasonable anti-art mind, which has enlightened the post-modernistic design.
艺术家认同杜尚的观点，即认为一个人的生活在某种意义上就是艺术，这里没有谁比谁更重要。
Artists have the same viewpoint as Duchamp's: One's life itself, in one sense, is a form of art. Therefore, no one is more important than another.
杜尚，这位西方现代艺术史上最具争议的传奇人物，长期以来一直被学术界作为研究的热点对象。
Duchamp, this most disputed legendary figure in western contemporary art history, has long been taken as a hot research subject by art academic circles.
杜尚的“现成品”作品《泉》，是世界艺术史上的一个奇迹，它是达达的产物，也是装置的始祖。
Duchamp's "ready object" - "Spring", is a product of Dada and primogenitor of Installation, is a wonder in the art history of the world.
杜尚玩笑式的现成品《泉》是理解20世纪艺术史的关键，由它引发出了一系列关乎艺术本原的问题。
Duchamp's Fountain is the key to understanding the art history in the 20th century, for it has brought about a series of issues about the art essence.
杜尚的艺术生涯是我们了解杜尚的一个入口，也是本论文在后面论述杜尚从艺术走向反艺术的过程中一个起点。
The art career of Marcel Duchamp is an entrance which we understands Duchamp, and also a jumping-off point which the text discuss Duchamp from advocating art to opposing art.
这种作品中体现出的思想倾向最终贯穿了杜尚的艺术创作及人生，从而也使杜尚成为西方后现代艺术的始作俑者。
The thought trend in the work ran through his art creation and life, thus made Duchamp be the forerunner of western post modem art.
本文将主要通过作为“观念游戏”的艺术和作为“性别游戏”的艺术这两条线索来探寻杜尚的艺术思想和心理成因。
In this paper, with the "Art of Conceptual Game" and "the Art of Gender Game" as the clues, we will discover Duchamp's idea of Art and the origin of psychologic.
它让人想起1913年的军械库艺术博览会。那次展会将欧洲的现代艺术，包括马塞尔·杜尚风评甚差的作品“下楼的裸女”一并带入美国。
It evokes the 1913 Armory Show, which introduced European modern art, including Marcel Duchamp's scandalous "Nude Descending a Staircase", to America.
最后，通过从这两条线索对杜尚的艺术进行探索和发现，本文将勾勒出一个作为艺术观念和性别心理双重博弈者的杜尚的艺术形象。
At last, by the discovering of Marcel Duchamp's art with these two clues, we will draw the outline of the artist as a chess player both on the art concept and gender consciousness field.
所有的现代伟大的艺术品都在这里展出：马蒂斯，蒙德里安，沃霍尔，康定斯基，毕加索，培根，塞尚，莫奈，达利，杜尚，曼雷，罗丹的查普曼兄弟还有许多许多其他人。
All the modern greats are exhibited here: Matisse, Mondrian, Warhol, Kandinsky, Picasso, Bacon, Cezanne, Monet, Dali, Duchamp, man Ray, Rodin, the Chapman brothers and many many more.
有些精英的确离开了：蒙德里安（Mondrian）、达利（Dali）、杜尚（Duchamp）、夏加尔（Chagall）和莱热（Léger）等一些人通过种种渠道去了纽约。
Some of value did leave: Mondrian, Dali, Duchamp, Chagall and Léger were among those who made their various ways to New York.
近来的大型艺术展上，将几位艺术家同台展示已蔚然成风，而画展的名字则好似那些附庸风雅的广告公司一般——“马蒂斯.毕加索”，“特纳.惠斯勒.莫奈”, “杜尚.曼雷.皮卡比阿”。
IT HAS become a trend for big exhibitions to feature more than one artist, so they sound like arty advertising agencies—"Matisse Picasso", "Turner Whistler Monet", "Duchamp Man Ray Picabia".
近来的大型艺术展上，将几位艺术家同台展示已蔚然成风，而画展的名字则好似那些附庸风雅的广告公司一般——“马蒂斯.毕加索”，“特纳.惠斯勒.莫奈”, “杜尚.曼雷.皮卡比阿”。
IT HAS become a trend for big exhibitions to feature more than one artist, so they sound like arty advertising agencies—"Matisse Picasso", "Turner Whistler Monet", "Duchamp Man Ray Picabia".
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