李可染因参与一八艺社活动而被革。
李可染水墨写生画展在北京举办。
An exhibition of the ink sketches of Li Keran is held in Beijing.
“意境”是李可染的艺术观中最核心的概念。
Artistic conception "was the essence of Li KeRan's artistic viewpoints."
然而，李可染的画法又靠了传统笔画的表现手法。
However, Li Keran maintained traditional Chinese brushstroke techniques and painting skills.
例如，李可染创造了深邃含蓄的“金错刀式”的线条；
For example, keran-li created a profound implication of "the wrong knife-style" lines;
李可染认为意境是情与景的统一，是客观美的集中展现与画家理想的实现。
He thought that it united emotion and scene, represented the objective beauty, and realized artistists' ideals.
在李可染艺术基金会美术馆开馆之际，我们将举办“艺缘—邹佩珠的创作和社会活动”展览。
On the occasion of the openning of the Li Keran Art Foundation Museum, we are holding an exhibition with the theme of " Art Destiny - Ms Zou Peizhu's Creation and Social Activities."
如果说黄宾虹的艺术更加文人化，那么，李可染的艺术则更加大众化，后者更易于被广大读者所接受。
Huang's art is more appreciated by the educated, while the works of Li Keran are more popular among the ordinary people.
如果说黄宾虹的艺术更加文人化，那么，李可染的艺术则更加大众化，后者更易于被广大读者所接受。
Huang's art is more appreciated by the educated, while the works of Li Keran are more popular among the ordinary people.
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