比如说，我们很有幸见过朱光潜教授。
For example, we are very lucky to met Professor Zhu Guangqian.
美育在朱光潜的整个思想中居于核心地位。
The theory of aesthetic education is the core of the whole thought of Zhu Guangqian .
“人生的艺术化”是朱光潜美育思想的核心观念。
Life's poeticizing is the core idea of Zhu Guangqian's thought of aesthetic education.
朱光潜的“美感经验”理论是其前期美学思想的核心。
The theories of aesthetic experience are the central idea in ZHU Guang-qian's early aesthetical systems.
而朱光潜认为物质生产实践与艺术生产实践具有一致性。
Zhu Guangqian believed the communality between material produce and art produces.
朱光潜的美学思想因其广阔的知识背景而显得丰富而复杂。
Zhu Guangqian's aesthetic thought is rich and complicated due to his extensive learning .
朱光潜《：悲剧心理学》。合肥：安徽教育出版社，1996年。
Zhu Guangqian. The Psychology of Tragedy. Hefei: Anhui Education Publishing House, 1996.
第四章论述朱光潜晚年对传统美学人生意蕴的展望和形象思维方式的沉思。
The fourth chapter states Zhu Guangqian's prospects of life significance and ponderation of imaginal thinking in his later years.
朱光潜《西方美学史》与中国当代美学知识生产之间有着密切的历史联系。
The historical relation between the Western Esthetic History of Zhu Guangqian and the production of the knowledge on contemporary esthetics of China is the core topic of this article.
朱光潜很注意形象思维的实践性的品格，他还引入西方心理学成果研究形象思维。
Zhu Guangqian paid much attentions to the characters of practice of images thinking and introduced the achievements of western psychology into this field.
作为朱光潜最受学界推崇的著作之一，《文艺心理学》，充分展现了朱先生独特的治学方法与早期审美心理研究的成果。
"Literary psychology", as one of the most respected Zhu Guangqian's works by scholars, fully demonstrated Zhu Guangqian's unique method of study and harvest of early aesthetic psychology research.
朱光潜阐释了“象征”的基本概念，梁宗岱则阐释了象征主义的“整体象征论” ，成为新文学象征主义诗歌的理论基石。
In specific, Zhu Guangqian presented a general idea of "symbol" while Liang Zongdai elaborated"the whole symbolism", which became the basic theory of Symbolism poetry in neo-literature.
朱光潜是本土学术界唯一一位将毕生献给了中国美学的尊者，其在审美心理学、艺术哲学、美学史等论域都有创造性建树。
Zhu Guangqian is a Chinese scholar who dedicated his life to aesthetics. He has the creative achievements in aesthetic psychology, philosophy of art, and history of aesthetics, etc.
朱光潜美学体系的矛盾，表明在近代以认识论为中心的西方哲学和美学的大框架里，很难具体解释和描述现实的审美活动和文艺实践。
The contradictions in ZhuGuangqian's asthetic system, reflected in the frame of modern epistemology oriented western philosophy asthetic, are hard to be explained in details.
虽然朱光潜著述中几乎没有提及“日丹诺夫”这个名字，但日丹诺夫主义与朱光潜的关系是考察1949年后朱光潜美学的一个极为重要的视角。
Zhu Guangqian seldom mentioned Zhdanov in his writing, but the relationship of Zhdanovism and Zhu was a crucial viewpoint of researching Zhu's aesthetics after 1949.
虽然朱光潜著述中几乎没有提及“日丹诺夫”这个名字，但日丹诺夫主义与朱光潜的关系是考察1949年后朱光潜美学的一个极为重要的视角。
Zhu Guangqian seldom mentioned Zhdanov in his writing, but the relationship of Zhdanovism and Zhu was a crucial viewpoint of researching Zhu's aesthetics after 1949.
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