它们的合力使得在20年代确立起来的中国新诗理论批评体系走向深入和成熟。
The resultant force of these theories further deepened and ripened the criticism system of Chinese new poems which was established in 1920s.
以往对刘半农新诗理论的研究，已经取得了一些重要的成果，但也不乏偏颇之处。
The previous poetry theoretical research of Liu Bannong had made some important results, but also many biased.
朱自清的新诗理论产生在有现代性因素的中国土壤之中，其新诗主张包含着对相关传统的断裂。
The theory of Zhu Zi-qing's new-style poetry appears in China with modern elements, and involves separations from some traditions.
它们在现代诗学史上都产生过重要的影响，至今对中国新诗理论建设与创作实践仍有着重要的参考价值。
These theories have had great influence on modern poetry, and are of great referential value for the construction of New Chinese Poetics and the poetic creation.
它们在现代诗学史上都产生过重要的影响，至今对中国新诗理论建设与创作实践仍有着重要的参考价值。
These theories have had great influence in modern poetry, and are of great referential value for the construction of New Chinese Poetics and the poetic creation.
闻一多提出的包括音乐美、绘画美、建筑美在内的新诗“三美”理论，是十分重要的新诗美学理论创见。
"Three beauty" theory put forward by Wen Yiduo, including the beauty of music, painting and architecture, is an important pioneering insight.
中国现代格律诗派关于新诗形式理论的构建，缘起于白璧德的新人文主义，隶属于新古典主义思潮，其间构成逻辑的因果关系。
Originated from Bai Bide's new humanism, the theoretical construction of new poem by the classical poem school in modern China belongs to the thought of new classicalism.
作为现代诗学理论的一个极为重要的方面，梁宗岱对新诗形式作出了富有意义的探索。
As an extremely important aspect of modern poetry theory, Liang has made a meaningful exploration on the form of modern poetry.
中国现代新诗创作长期以来忽视自身理论建设，片面强调口语化、散文化，而反对新诗的格律化和规范化。
The creation of Chinese modern new poetry have ignored theoretical construction of its own, but put undue emphasis on the colloquial and prose style, and opposed the metrical and standard patterns.
梁宗岱阐发纯诗理论的着眼点始终在于救治新诗坛的弊端，纠正主流诗学偏颇。
Liang Zongdai's theory on pure poetry always aims to remedy abuses in modern verses and rectify wrong ideas in the mainstream poetry world.
第三章，对梁宗岱的新诗形式理论的意义作简要思考。
The third chapter makes reflections on the significance of the theory of modern poetic form from Liang.
中国新诗初期，众多时空差异很大的文学思潮被同时植入，理论认识存在着表层化的倾向。
In the early days of Chinese Modern Poetry, Numerous literary thought that differed from times to Spaces were imported.
八十年代初，理论界以其诗歌创作为切入点，展开了关于新诗创作的大讨论。
In the early 80s, theorists had an active discussion beginning with SHIJ Ting 's poems.
主张新诗要雅和主张新诗要雅俗共赏、都有其理论的合理性。
Theoretically it is reasonable to maintain that new verse should be elegant or both elegant and popular.
对于新诗，何其芳是杰出诗人，又是诗歌理论家。《预言》则是这位诗人的创作起跑点，是何其芳的第一部个集。
As regards new verse, he Qi-fang is both an outstanding poet and a theorist, whose Prophesy is not only his starting point in poetic writing but also his first personal collection.
而且经过众多诗人和理论家的努力，它已经不断成熟并日趋完善，是新诗再也无法回避的选择。
And with the effort of many poets and theoretician, it was mature and perfect gradually. Modern metric verse was the choice that new verse can't get around any fu...
闻一多提出的新诗的“音乐美、绘画美、建筑美”的原则，是其诗学理论的现代语言观和形式观的具体实施。
The principle suggested by Wen Yiduo, that new verses should be beautiful with respect to music, painting, and structure, is the application of the modern concept of language and co...
闻一多提出的新诗的音乐美、绘画美、建筑美的原则，是其诗学理论的现代语言观和形式观的具体实施。
The principle suggested by Wen Yiduo, that new verses should be beautiful with respect to music, painting, and structure, is the application of the modern concept of language and conc...
闻一多提出的新诗的音乐美、绘画美、建筑美的原则，是其诗学理论的现代语言观和形式观的具体实施。
The principle suggested by Wen Yiduo, that new verses should be beautiful with respect to music, painting, and structure, is the application of the modern concept of language and conc...
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