第三章是以《抱朴子外篇》为研究对象论述葛洪儒家思想,分为三节。
The chapter three, With Outer Chapter of Bao Puzi, the Confucianism is discussed in aspects of relationship between regality and liege, Xing and Ren.
本文从创作思维、文质关系、创作风格三方面阐述了《抱朴子》的文学创作论。
This paper elaborates on the literary creation theory in 3 aspects, namely, the thinking of writing, the relation between grace and content, and the style of writing.
而抱朴则是这种人格理想的最后体现者、他走出老磨屋,意味着这种人格理想的最终胜利。
He went out from the old grinding house, which means the final victory of the ideal of personality.
《抱朴子内篇》是东晋时期的一部重要的道教著作,其中保留了较为丰富的魏晋口语成分。
The Intrinsic Aspects of Baopuzi is an important work about Taoism written in the Dongjin Dynasty. It embodies many spoken phenomena of the Xijin and Dongjin Dynasties.
在学术史上,葛洪的《抱朴子》内外篇似乎是一部让人尴尬的文献,因为它虽然出自一人之手却兼具了两种不同的思想:道家道教思想与儒家思想。
Baopuzi, during the learning history, seems to be an embarrassing document, for its containing the thoughts of Confucianism and Taoism which are always contradictory in most literature viewpoint.
在学术史上,葛洪的《抱朴子》内外篇似乎是一部让人尴尬的文献,因为它虽然出自一人之手却兼具了两种不同的思想:道家道教思想与儒家思想。
Baopuzi, during the learning history, seems to be an embarrassing document, for its containing the thoughts of Confucianism and Taoism which are always contradictory in most literature viewpoint.
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