在工作记忆中，我们使用这些元素：执行模式匹配、心算、对情况的心理上的投射和许多其他的正在处理的形式。
In working memory, we manipulate these elements, performing pattern matching, mental arithmetic, mental projection of situations, and many other forms of active processing.
通过MDSD方法，我们将为这些元素指派负责特定操作的责任，设计者将使用这些规范来创建元素。
Through the MDSD approach, we will assign responsibility for specific operations to these elements, and the designers will use this specification to create the element.
同时，它以一种谨慎得多的方式定义这些元素，让我们可以放心地使用它们。
At the same time, it takes a much more careful approach to defining these elements so that everyone can use them interoperably.
如果一个元素的有效值是“red”、“blue”和“green”，我们想让用户对这些值可以使用任意的大写字母和小写字母组合。
If the valid values for an element are "red," "blue," and "green," we'd like to let our users use any combination of upper - and lowercase letters for those values.
我们在这里使用绝对定位，使这些UL元素脱离页面流，这样它们的高度就不会添加到包含它们的元素的高度中。
We use absolute positioning here to take these UL elements out of the flow of the page so that their height is not added to the height of the containing elements.
让我们看一看如何使用所有这些元素以成功地从远程计算机上调用我们的EJB组件上的方法。
So, let's see how we use all these elements to successfully call methods on our EJB component from remote machines.
通过阅读规范中给出的描述，我们发现这些标记旨在表明元素的可扩展性，因此我们使用省略号…替代它们。
By reading the description given in the specification we can see that they are intended to indicate element extensibility, so we replace them with ellipses...
我们看看如何使用存储图设置这些元素。
Look at how to model some of these elements as well using storage diagrams.
在Facebook中，这些标签被译为在我们其他网站上使用的元素，而往往这些元素具有能够在大多数其他网站上实现的普遍性。
On Facebook, these tags render into elements that we use on the rest of our site. However, the tags are general enough that they have design implementations on most other sites.
不过，我们还希望填充一些元素名、元素符号、元素号和原子量，可以在模板中使用xbl：content元素来选择这些内容。
However, you also want to include the name, symbol, atomic number, and atomic weight; you can select each of these by using an XBL: content element in the template.
尽管作者不知道最近涌现了很多文章介绍这些元素的使用，我们还是值得一读这篇由DamianCugley写于2002年、比较对象和嵌入的文章，文章中还提到了其他3种替代物。
While the author doesn't know of a recent write-up on their use, read this 2002 comparison of object and embed by Damian Cugley, that also mentions the other three alternatives.
我们将融合这些元素组合成一个无缝的成分通过学习如何使用自定义画笔，以提高我们的场景和色彩分级给它的情绪。
We'll blend those elements together into a seamless composition by learning how to enhance our scene using custom brushes and giving it mood with color grading.
我们将融合这些元素组合成一个无缝的成分通过学习如何使用自定义画笔，以提高我们的场景和色彩分级给它的情绪。
We'll blend those elements together into a seamless composition by learning how to enhance our scene using custom brushes and giving it mood with color grading.
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