从三个方面来研究伯克的新修辞学思想：认同修辞学，戏剧主义和符号体系。
Burke's ideas of new rhetoric are studied from three aspects: rhetoric of identification, dramatism and logology.
本文从三个方面构建出伯克新修辞语篇分析模式的框架：同一修辞、戏剧主义和符号体系。
In this Burkes, Burke s ideas of new rhetoric are studied from three aspects: rhetoric of identification, dramatism, and logology, which constitute three dimensions of the framework proposed.
就像我说的，佳构剧作为一种剧本创作的形式，成为了现实主义戏剧的基础，也成为了许多非常受欢迎的19世纪戏剧的基础。
As I said, the well-made play, this form of playwriting, became the basis for realism in drama, and for a lot of very popular 19th-century plays.
只要非裔美国戏剧仍以自然主义为主导模式，它只能表达“非裔美国人的困境”。
As long as African American drama maintained naturalism as its dominant mode, it could only express the "plight of African American people".
只要非裔美国戏剧仍以自然主义为主导模式，它只能表达非裔美国人的“困境”。
As long as African American drama maintained naturalism as its dominant mode, it could only express the "plight" of African American people.
更荒谬的是，那个文献中唯利是图、家财万贯的高利贷债主，那个唯“物”主义者，怎可能会和这些伟大戏剧的著者是同一人？
Worse still, how could the business-minded, property-owning, moneylending materialist that emerges from the documentary scraps, be the same man as the poet of the plays?
新保守主义者的转向尤其戏剧化。
The volte face is particularly dramatic among neoconservatives.
戴安娜也有诸多身份——偶像、女主角、慈善工作者、现代主义者、引火烧身者——但是她不是一个笑话。她所产生的戏剧，最终是悲剧，不是喜剧。
Diana was also many things-icon, diva, charity worker, moderniser, lightning rod-but she wasn't a joke. She generated drama, and ultimately tragedy, not comedy.
肯布尔想逃离肤浅的戏剧情感主义(肯布尔对戏剧的评价)，想有个知心的人陪伴自已，加之某种程度上还想忘记奴隶制，她嫁给了他。
Hoping to escape the shallow emotionalism of the theatre (as she saw it), assuming a companionship of equals and somehow managing to forget the slaves, she married him.
比利时导演让·皮埃尔·达登和吕克·达登的作品 《罗尔娜的沉默》拍摄于比利时的列日，电影超越了实用性自然主义的叙事手法，采用了大量象征性和戏剧化元素。
In “Lorna’s Silence” (Sony), the Belgian directors Jean-Pierre and Luc Dardenne, shooting on location in Liège, use symbolic and theatrical elements to transcend practical naturalism.
唐纳德·里奇(Donald Richie)曾提出表现主义戏剧对大岛渚的影响更加直接：在从事电影创作之前，大岛渚供职于一个上演表现主义戏剧的剧团。
Donald Richie has suggested that a more direct influence is that of expressionist theatre - before becoming a film-maker, Oshima belonged to a troupe that staged expressionist plays.
前者是她为世人所熟知的典型论调，后者却像是从上世纪50年代某部存在主义戏剧里讲出来的话。
The first is typical of the woman the world thought it knew. The second sounds as though it had wandered in from some 1950s existentialist drama.
在影片中再没有比用戏剧里那种模仿生活以及学究般感伤主义的故作自然腔调更刺耳虚假的了。
Nothing rings more false in a film than that natural tone of the theater copying life and traced over studied sentiments.
在众多的现代主义文学流派中，荒诞派戏剧是影响最大的流派之一。
In the numerous schools of literature of modernism, send the drama to be one of the most influential schools fantastically.
人文主义理想和现实社会恶势之间的矛盾构成戏剧冲突。
Humanist ideals and reality of conflict pose dramatic conflicts between social evil potential.
他将自然主义与心理分析相结合开拓了戏剧领域里的表现主义运动。
He, by combining naturalistic techniques with psychoanalysis, inaugurated the expressionistic movement in the sphere of drama.
戏剧作品中突出的浪漫主义风格就来自德国文学的影响，他的民族文学运动的倡导也受到德国狂飙运动的很大启发。
The obvious romantic style of his dramas came from German literature. His advocacy of the National Literature Movement was also enlightened by German Violent Movement.
本文论述了布莱希特与梅兰芳两位现实主义大师，运用的戏剧手段却各有巧妙不同。
This article discusses that Brecht and Mei Lanfang are two great masters of realism, yet each has his own ways and methods of expression.
哈罗德·布卢姆的序言联系与莎士比亚的戏剧和有远见的悲剧，如高的暴风雨和哈姆雷特，苏菲神秘主义。
Harold Bloom's preface links Sufi mysticism with Shakespeare's visionary dramas and high tragedies, such as The Tempest and Hamlet.
透过后现代戏剧同现代主义戏剧的比较视界，对后现代戏剧的主要特征进行描述。
It is to describe the main characteristics of the post-modern drama through the comparison between the post-modern drama and the modernist drama.
在我眼中最具有创造力的文化当属伴随着有戏剧性的文艺复兴浪漫主义的意大利文化，因此一谈到设计，人们马上就会联想到意大利。
In my mind, the best creativity is the Italian culture with the Renaissances and Romanticism of the drama referring to the design, the people would connect with imagining, the Italy.
斯特林堡是表现主义戏剧的先驱人物。
August Strindberg has been regarded by many as pioneer of expressionistic drama.
《等待戈多》和《罗森和吉尔死了》分别是荒诞派戏剧和后现代主义戏剧的代表作。
Waiting for Godot and Rosencrantz and Guildenstern are Dead are respectively the representatives of Theatre of Absurd and Postmodernist drama.
本文试运用存在主义哲学理论，从人与世界、人与他人及人与自我三个方面来解读这部荒诞派戏剧的经典剧作。
By applying existentialist theories from three aspects: man and the world, man and others, as well as man and self.
笔者进一步认为，戏剧化的叙述模式、多维化叙事视角、人本主义的叙事立场是使新闻“故事化”的基本手段。
The author think "story" is the general narrative tradition of investigative reports, dramatic narrative nodel, all-sides narrative angle, humanity narrative view are the general means of story.
泰戈尔的象征剧虽和西方的象征主义戏剧有着表层上的相似之处，但究其实质却有着根本的不同。
Tagore's dramas are similar with the western ones on the narrative model, but their essence is not the same.
这个故事的天使是一个英雄主义和戏剧，和他们所代表的世界是独一无二的你是知道的。
The story of the archangels is one of heroism and drama, and the world they represent is unlike any you know.
著名歌剧《蝴蝶夫人》是西方戏剧史上的世纪绝唱，代表了西方的“东方主义”思想。
The famous opera Madame Butterfly, representing the thought of "orientalism" in the west, is the peak of the century in western drama history.
从戏剧哲学观、戏剧舞台设置和戏剧语言观三个方面论述了后现代主义戏剧对荒诞派戏剧的继承性和超越性。
This essay explores the continuity and superiority between Postmodernist drama and Theatre of Absurd from three perspectives: the philosophy of drama, theatrical background and the language of drama.
从戏剧哲学观、戏剧舞台设置和戏剧语言观三个方面论述了后现代主义戏剧对荒诞派戏剧的继承性和超越性。
This essay explores the continuity and superiority between Postmodernist drama and Theatre of Absurd from three perspectives: the philosophy of drama, theatrical background and the language of drama.
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