在1337年，彼特拉克开始撰写杂文《论名人》，主要突出古典英雄的美德。
In 1337, Petrarch began work on his rambling writing De Viris Illustribus—On Famous Men, highlighting the virtus (or virtue) of classical heroes.
彼特拉克是咋说这地方的？
不朽的作品里的彼特拉克和马基雅维里。
怀亚特将彼特拉克的十四行诗引进英国。
行程如但丁和彼特拉克所描绘的，发生在。
Journeys, such as those portrayed by Dante and Petrarch, occur within.
文章最后论述了多恩诗歌绵延性的时代张力，即它与彼特拉克传统诗的差异和对后世诗歌的影响。
The end of the paper comes to the extending time and space tension of John Donne's poetry, namely, the difference between Petrarch's poetry and the influence to the following poetry.
文章的末尾部分介绍了彼特拉克去世后学者们对他的基督教信仰问题形成的三种观点，本文倾向于第三种观点。
At the end of the paper, I listed three different kinds of views about Petrarch's religious belief that have developed by scholars after Petrarch's death. I agree with the third one.
有一些天才人物的信件，像是彼特拉克和米开朗基罗，也有来自红衣主教臭名昭著的女儿鲁克蕾齐亚·波吉亚的信。
There is correspondence with geniuses including Petrarch and Michelangelo, and a missive from that most notorious of cardinal's daughters, Lucrezia Borgia.
因为当时山被认为是危险的，无用的，甚至是不再全心忠心于神，是有罪的，就像彼特拉克解释一段文章里面奥古斯丁批判“称赞高山”的人。
Mountains were considered dangerous and useless. Mountains could even be a sinful distraction from God, as Petrarch interpreted a passage in Augustine rebuking men who "admire the high mountains."
因为当时山被认为是危险的，无用的，甚至是不再全心忠心于神，是有罪的，就像彼特拉克解释一段文章里面奥古斯丁批判“称赞高山”的人。
Mountains were considered dangerous and useless. Mountains could even be a sinful distraction from God, as Petrarch interpreted a passage in Augustine rebuking men who "admire the high mountains."
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