不管是有意识还是无意识，人们往往用眼神、面部表情、形体动作和态度表露真情，从而使他人产生包括从舒适到害怕的一连串反应。
In spite of consciously or unconsciously, people show their true feelings with their eyes, faces, bodies and attitudes, causing a chain of reactions, ranging from comfort to fear.
不管是有意识还是无意识，人们往往用眼神、面部表情、形体动作和态度表露真情，从而使他人产生从舒适到害怕的一连串反应。
Consciously or unconsciously, people show their true feeling with their eyes, faces, bodies and attitudes, causing a chain of reactions, ranging from comfort to fear.
不管是有意识还是无意识，人们往往用眼神、面部表情、形体动作和态度表露真情，从而使他人产生包括从舒适到害怕的一连串反应。
Consciously or unconsciously, people show their true feelings with their eyes, faces, bodies and attitudes, causing a chain of reactions, ranging from comfort to fear.
不管是有意识还是无意识，人们往往用眼神，面部表情，形体动作和态度表露真情，从而使他人产生包括从舒适到害怕的一连串反应。
Consciously or unconsciously, people show their true feelings with their eyes, faces, bodies and attitudes, causing a chain of reactions, ranging from comfort to fear.
形体的一切形态、声音、动作，都仅仅是(从一个静止点投射，去模拟运动的)光波看似的运动。
All forms of bodies and all sounds and actions of bodies are but the seeming motion of light-waves which have been projected from a still point of rest to simulate motion.
体育产生以来，形体动作体现出身体语言的客观存在。
Since physical education came into being, the body motions have embodied the objective existence of the body language.
这些形体动作有机的结合，构筑了内涵博大精深的中华传统武术体系。
These body actions are combined well with each other and form the integration of the extensive and profound traditional Chinese Wushu.
舞蹈节奏感是舞者对节奏作出的某种反映和感受能力，是凭借人的形体运动和动作组合体现出来的。
The rhythmic sense is the dancers response and perception to the rhythm, which is realized by the combination of the physical movement with the corresponding action.
在形体训练的教学过程中，利用多种教学方法，使学生在流畅的音乐中展现形体动作美。
In body training of teaching process, using various teaching methods, the students are educated to show beauty of body action in flowing freely music.
体育运动中的形体美、动作美、造型美和协调美，能够陶冶人的情操，净化人的灵魂，可谓魅力无限。
The beauty of body, action, modeling harmony, and so on in P E mould people's sentiment and purifies their spirit, which is very charming.
论文的第四部分则从演员在戏剧表演、形体动作、对话台词、舞台调度以及角色塑造、导演的艺术构思和处理中来看这三部歌剧的史诗性表演特色。
The fourth part deals with the epic features of these three operas from other angles, such as the words, non-verbal behavior, stage dispatch and direction.
影视动画表演的一般技巧即为角色的基本动作，主要包括面部表情及形体动作。
The general skill is the basic motion of roles, mainly including facial expressions and body movements.
无论是有意识还是无意识，我们都会用我们的眼神、面部表情、形体动作和态度来表现我们的真实情感，从而使他人产生从舒适到害怕等一连串反应。
Consciously or unconsciously, we show our true feelings with our eyes, faces, bodies and attitudes, causing a chain of reactions, ranging from comfort to fear.
它的美学要素包括形体美、姿态美、动作美、音乐美、精神美。
There are some aethetics elements in the aerobic: beautiful body, beautiful stance, beautiful movement, beautiful music and beautiful spirit.
不管是有意识还是无意识，我们往往会根据对方的眼神，面部表情，形体动作和态度对他们作出判断。
Consciously or unconsciously, we make up our minds about people through their eyes, faces, bodies, and attitudes.
“停顿”是一个重要的戏剧术语，系指人物没有台词、没有明显的形体动作。
The "pause' is a very important drama jargon, meaning that the figure on the stage has not eitherdialogues or any obvious body-action."
医师根椐患者的病情，特别帮助患者设计功夫康复的形体动作，这种的身体锻练动作，从而达到恢复功能的目的。
Physicians root tree of the patient and special help patients recover form design kungfu action, this kind of body exercises action, so as to achieve the purpose of the function recovery.
医师根椐患者的病情，特别帮助患者设计功夫康复的形体动作，这种的身体锻练动作，从而达到恢复功能的目的。
Physicians root tree of the patient and special help patients recover form design kungfu action, this kind of body exercises action, so as to achieve the purpose of the function recovery.
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