尼采以强力意志为本体，阐述其艺术家理论。
Nielzsche commented on his theory of "Artists" based on "the will to power".
鲁迅早期认为尼采是强力意志的鼓吹者、超人的赞颂者和西方近代文明的批评者。
Luxun considered Nietzsche as an advocator for "der Wille zur Macht" and "übermensch", and a criticizer to western modern culture in the early period.
在尼采的文化进化论里，充满着生命、强力意志、自我超越和永恒循环的思想，尼采正是在这个意义上来界定“人”的。
" Nietzsches cultural evolutionism is full of life, powerful will, self-transcendent and endless recurrent thoughts, on the basis of which Nietzsche defines "man.
强力意志是超越思想的根源。尼采对于哲学史上理性和感性的绝对对立的批判，力图恢复健全的理智，也是超越思想的一个方面。
Nietzsche's criticism on the absolute opposition between reason and sense in tradition, trying to get back to the healthy mind, is also one part of the transcending thought.
尼采主张对人生的审美态度，提出了“强力意志”、“酒神精神”等命题，但是其审美主义致力于“审美形而上学”而忽略生活。
Nietzsche advocates an aesthetic attitude to life and puts forward ideas of "will to power" and "the Dionysian spirit", but he thinks highly of "aesthetic metaphysics" and neglects life.
对强力的屈服，只是一种必要的行为，而不是一种意志的选择，它顶多也不过是一种聪明的行为！
Submission to the strong, is an act of necessity, and not a choice of will, It can also however is a smart!
顽强的生命活力、大胆的反抗精神、强烈的求生意志构成了小说原始强力的精神内涵。
The strong life vitality, brave rebellion spirit, and the keen desire for life construct the strong, primitive power and spirit connotation in Duanmu Hongliang s novels.
顽强的生命活力、大胆的反抗精神、强烈的求生意志构成了小说原始强力的精神内涵。
The strong life vitality, brave rebellion spirit, and the keen desire for life construct the strong, primitive power and spirit connotation in Duanmu Hongliang s novels.
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