我发现弗兰岑是一个非常平易近人的艺术家。
在那里举办展览的艺术家名叫罗斯·弗兰岑。
哪些现实主义元素是我们应该在弗兰岑的作品中寻找的？
What are the elements of Realism we should be looking for in Frantzen's work?
我认为这幅画很重要，因为它强调了弗兰岑的印象派风格。
The reason I think this painting is so important is that it stresses the impressionist aspect of Frantzen's style.
当然，事情没那么简单，为了赚钱买颜料进行创作，弗兰岑有时会被迫在艺术博览会这样的地方给别人画像。
Of course, it's not as easy as that, and so Frantzen had to paint other people's portraits at places like art fairs just to make money to buy paint for her more serious artwork.
但即使是弗兰岑也不能一直赏鸟。
弗兰岑并不把世界这样分割开来。
观光客中有一个人就是乔纳森•弗兰岑。
要写一本传记，弗兰岑可不是个好人选。
弗兰岑在这里赏鸟：他是一个看鸟的人。
这是愤怒，但至少是力量，而弗兰岑急需力量。
It was anger, but at least it was energy, and Franzen needed energy badly.
如果那些海獭会说话，他们就会劝弗兰岑振作起来，冷静下来，去尝尝海胆。
If they could talk, the otters would tell Franzen to man up, chill out and have a sea urchin.
一个作家必须同时既是拳击手又是教练。弗兰岑这个教练十分“凶悍”。
A writer has to be both boxer and trainer at the same time, and Franzen's trainer is a hard-ass.
这次除了从他成功的余波中保留下来的自觉意识外，弗兰岑还面临更大的压力。
There was extra pressure on Franzen this time, plus an additional layer of self-consciousness left over from the backlash to his success.
现在，似乎大多数人都认为是弗兰岑拒绝了奥普拉，而不是奥普拉拒绝了弗兰岑。
Most people now seem to have the impression that Franzen turned down Oprah, not the other way round.
至于裘伊那冷静坚忍的女友康尼，弗兰岑是这样写的，“她像一只冬天的鱼，安静冷静。”
Of Joey's imperturbable, long-suffering girlfriend, Connie, Franzen writes that "she had the metabolism of a fish in winter."
关于这一点，弗兰岑认为书能替我们做些事情，一些其他媒介无法做到的有助于社会的事情。
The way Franzen thinks about it is that books can do things, socially useful things, that other media can't.
借用视觉艺术中的一个术语，弗兰岑的小说有一种令人艳羡的视角深度：它同时关注许多方面。
To borrow a term from the visual arts, Franzen's writing has an enviable depth of field: it keeps a great deal in focus simultaneously.
作者乔纳森·弗兰岑，也许起初你不太喜欢这本书，因为作者似乎不太喜欢主要角色，在故意嘲弄他们。
By Jonathan Franzen. Maybe at first, you don't like this book much, as the author seems to dislike and make fun of the main characters.
“如果那些书能让她们喜欢阅读，伟大的反响能让她们变的更聪明，”麦吉尔·弗兰岑博士说。
"If those books get them into reading, that has great repercussions for making them smarter," Dr. McGill-Franzen said.
“我认为这里存在着孩子文化和媒体文化，他们超越了我们认为孩子应该读什么。”麦吉尔弗兰岑博士说。
"What that said to me was that there is a kid culture and a media culture that transcends what we think kids should be reading," Dr. McGill-Franzen said.
弗兰岑十分清楚人们比以往更加自由——又说到自由了——他们的时间和精力往往消耗在其他娱乐而非书本上。
Franzen is very conscious that people are freer than ever — that word again — to spend their time and attention being entertained by things that aren't books.
对这书的宣传工作结束后，弗兰岑花了一年时间去筛选之前未写进书中的材料，看能否再回收利用一些。
After he was done promoting the book, Franzen spent a year sifting through material he'd discarded from it, to see if he could recycle anything.
给我们留下深刻印象的第二件事即，做为作家和个人的弗兰岑与作为公众人物的弗兰岑之间的显著差别。
The other thing that strikes you is the contrast between Franzen the writer and person and Franzen the public figure.
弗兰岑对于核武器和新闻业的道德妥协进行了深入的观察和思考，为我们提供了一系列颇具挑战性的观点。
From its tossed-off observations to its thoughtful reflections on nuclear weapons and the moral compromises of journalism, this novel offers a constantly provocative series of insights.
“放弃自由的方法之一是去树立一种信念，”弗兰岑说，“而更进一步放弃自由的方法便是花点时间去实践这一信念。”
"One of the ways of surrendering freedom is to actually have convictions," Franzen says. "And a way of further surrendering freedom is to spend quite a bit of time acting on those convictions."
席尔兹说这番话的用意并非批判作者——他提到的作者是乔纳森·弗兰岑——追求长篇现实主义小说的传统。
Shields doesn't present his remarks as a criticism of writers-the name he mentions is Jonathan franzen-pursuing the tradition of the long realistic novel.
席尔兹说这番话的用意并非批判作者——他提到的作者是乔纳森·弗兰岑——追求长篇现实主义小说的传统。
Shields doesn't present his remarks as a criticism of writers-the name he mentions is Jonathan franzen-pursuing the tradition of the long realistic novel.
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