艺术天才理论是康德美学的重要组成部分。
The theory of art talent is an important part of Kant's aesthetics.
正因为如此，一些研究康德美学的专家认为其先验美学是形式主义的。
Because of this, some experts who study Kant's aesthetics consider Kant's priori aesthetics as formalism.
因此，康德美学是将审美性情作为社会区分标志的合法化、学理化的最终根据。
Thus the modern aesthetic of Kant is to distinguish between the aesthetic disposition as a social symbol of legalization, school physics and chemistry of the final under.
基于这种理论，布迪厄挑战了现代艺术所依凭的哲学经典，康德美学的普遍合法性。
As though, Bourdieu challenges the whole classic philosophy relies of the modern art, challenges the universal legitimacy of Kant's aesthetics.
康德美学的批判功能、交往功能与和解功能从三个维面彰显了康德美学的现代性意义。
The Significance of Modernity of Kants Aesthetics is displayed in three perspectives of aesthetics critical function, communicative function and reconciliatory function.
但长期以来，却鲜有专从“自由”概念出发深入研究和探讨康德美学思想的专著或论文。
But for a long time, there have had few works or papers starting from the concept of "Freedom" to research Kant's aesthetic thought.
“审美理念”是康德美学中一个重要的概念，对它的准确把握是对康德美学进行深度理解的关键。
Aesthetic idea is an important concept in Kant's aesthetics. And an exact grasp of it is the key to a deep understanding of Kant's aesthetics.
“自由”是整个康德哲学、美学中的一个十分重要的概念，甚至可以说，是理解整个康德美学思想体系的核心概念。
"Freedom" is a very important concept in the whole Kant's philosophy and aesthetics, even a central concept for understanding the whole Kant's aesthetic system.
众所周知，康德美学的重要性不仅在其本身，更在于其为康德先验哲学中的一个重要部分：一座连接现象界与知思界的桥梁。
As is known, the importance of Kants aesthetic theory is not only in itself but also as an integrated part of the philosophy of Kant, a bridge connecting phenomenon world with transcendental world.
克罗齐是康德、黑格尔之后西方影响最大的美学家。
Croce is the most influential aesthetician in the West after Kant and Hegel.
作为德国古典主义美学思想的代表，席勒是继康德后对崇高美学做出完善探讨的美学家。
As a representation of classicalism aesthetics in Germany Schiller is an esthetician who discusses perfectly the theory of sublime aesthetics after Kant.
席勒对康德崇高思想的继承主要在于对主体性原则的发挥，这也是席勒美学思想的哲学基础。
His inheritance from Kante's view of sublimity lies mainly in his development of the subject principles, and this is also the philosophical basis of Shiller's aesthetics.
这一概念是从康德的自然与自由的二律背反思想中衍生出来的，经过了席勒美学思想的改造，成为席勒美学中一个居于核心地位的要点。
The conception was originally derived from Kant's theory about antinomy, reformed by Schiller, and became a core point in Schiller's aesthetics.
康德从主体论美学出发，把艺术作品规定为天才的作品，从而形成了他的天才论的艺术观。
Started from subjective aesthetics, Kant stipulated work of art as the work of genius, thus it formed his genius art view.
崇高是近代美学史上一个重要的范畴，康德在他的哲学美学体系中完善了崇高的内涵。
Sublime was an important category in the history of aesthetics. Kant perfected the concept of the sublime in respect of its connotation in his philosophy and aesthetics.
是黑格尔继康德之后，从其“美是理念的感性显现”的哲学、美学思想出发，认识到传统摹仿说的弊端，进而反对摹仿说，提出新观点。
Hegel recognized the drawbacks about the theory of imitation and opposed it, putting forward new viewpoints from his thought that Beauty is the perceptual appearance of ideas after Kant.
作为德国古典主义美学思想的代表，席勒是继康德后对崇高美学做出完善探讨的美学家。
As a representation of classicalism aesthetics in Germany, Schiller is an esthetician who discusses perfectly the theory of sublime aesthetics after Kant.
在康德、柏格森和弗洛伊德、荣格思想的基础上，徐？创造性地形成了自己独特的神秘主义美学观。
On the base of the thinking from Kant, Bergson, Freud and Jung, Xuxu formed his own special mysticism esthetics.
康德的美学思想主要体现在他的美学巨著《判断力批判》之中。
The aesthetics of Kant's aesthetics is mainly embodied in his masterpiece, "Critique of Judgement".
康德作为一个天才的美学家，具有创见性和敏感性地从艺术现象中考察出艺术的本质特征：主客观的辩证统一性。
As a talent aesthetic expert, Kant creatively and keenly observed the natural feature of art from the artistical phenomenon-the subjective and objective dialectical unity.
当务之急，是引入康德的美学智慧（美是道德的象征），去梳理、建构中国道德美学本体论；
It is imperative to introduce Kant' s aesthetical thought to form the ontology of Chinese ethical aesthetics.
在美的特质论中，康德确立了审美的无利害、无概念的普遍性、无目的的合目的性和无概念的必然性，从而奠定了主体性美学思想的基础。
On his theories about sublimity, Kant especially stressed the value of subject, laid particular emphasis on publicizing the power of subjective reason and awakening the inner moral spirits.
文章认为，和康德的崇高美学对道德理性的关注不同，席勒更注重现实人性的自由实现和解放在崇高美学中的意义。
We think that Schiller more pays attention to the freedom and liberation of humanity realizing than the Kant sublime aesthetics of moral rationalism.
康德着意在自然与自由之间建立一座桥梁，他在其美学著作中关于共通感的论述为此一目的铺平了道路。
Kants aesthetics aims at building a bridge between nature and freedom, and his theory of common sense paves the way for his aesthetical critique.
事实上，康德先验美学正是对形式主义的重大突破。
In fact, Kant's priori aesthetics is an important breakthrough to...
“审美静观”是关于审美态度的核心要素，其实质是审美的无功利性。在西方美学史上，康德是最深刻、最系统地论述审美静观的美学家。
The key element of aesthetic manner is "still minded", which explains the basic quality of aesthetics, its nonutilitarianism character.
“审美静观”是关于审美态度的核心要素，其实质是审美的无功利性。在西方美学史上，康德是最深刻、最系统地论述审美静观的美学家。
The key element of aesthetic manner is "still minded", which explains the basic quality of aesthetics, its nonutilitarianism character.
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