本文意在考察20世纪中国市民小说的表现形态及其流变。
This thesis discusses the form and changes of Chinese citizen novel in 20 ~ (th) century.
第一章主要论述影响转型期市民小说写作的社会和文化语境。
Chapter I mainly concerns about the social and cultural background affecting the writing of citizen novels in transformation stage.
在市民文学的文本世界之中，普遍呈现出精英与平民、高贵与平贱、雅与俗、理想与实在的二元对立，这种二元对立成为许多市民小说的叙事结构中心。
A lot of citizen novels commonly showed the dualistic opposition between elite and common people, noble and poor, refined and vulgar, ideal and practical.
老舍的小说创作存在着以批判意图为支撑的“显在结构”和以本人无意流泄的市民情致为支撑的“潜在结构”两套话语系统。
There are two sets of word systems for an apparent structure for critical intention and a latent structure supported by citizen interest flowing unconsciously in Lao She's works.
经济话题是都市小说的一种特殊叙述形态，是市民生活的一个重要的组成部分。
Economic narration, as a part of urban life, is a special narrative figure of urban fictions.
本文分三个阶段论析池莉的小说创作，认为其小说创作反映了中国城市居民的一种生存状态，细致地表现了转型期中社会市民阶层的形成与状况，具有独特的认识价值。
This article is divided into three parts when analysing the chili's novel. The author thinks that her novel has display an existing state of Chinese citizens, and has special value.
在老舍小说所构造的艺术世界里，活跃着大量的市民形象，正是这些市民形象代表着作者的文化选择和文化批判。
In the Lao She's fiction constructed arts world, a large number of people active in the image, it is the image of these people represent the author's cultural choices and cultural criticism.
小说中的男主人公和接下来几部作品中的男主角就像韩寒自己一样，成长在小市民家庭中，还都藐视权威，特别是老师，他们被韩少比喻成娼妓。
The protagonists in that novel and several that followed were young men like himself, raised in small rural townships and disdaining to regard or treat with haughty contempt; despise.
小说《四世同堂》是他的代表作之一，是一篇表现北京普通市民在日本铁蹄践踏下顽强生存和斗争的长篇巨著。
His masterpiece Four Generations under One Roof is a magnum opus depicting the lives and struggle of ordinary people in Peiping under the trample of Japanese army.
所以，我从这三部小说入手，首先研究元代的市民文学精神，再研究元末明初的市民文学。
So, I start with these three novels, the first literary study of the public spirit of the Yuan Dynasty, second, study members of the public literature between Yuan and Ming dynasties.
文章从文本细读入手，围绕都市民间这一核心范畴，对王安忆的《富萍》与池莉的《托尔斯泰围巾》这两篇小说之观察视角、叙述对象、叙述心态、叙述方式进行了比较研究。
The purpose of this paper is to examine the same and different points between Wang Anyi s novel"Fuping"and Chi Li s novel"The scarf of Tolstoy".
王安忆小说有自己独特的视角，那就是透过上海这城市声色繁华的表象及日常生活的琐碎平淡，着力凸显弄堂生活和市民阶层的日常生活意识。
Wang tries to express the lane life and daily life consciousness of common people through the images of prosperity and trivial and plain daily life.
“都市民间”理论的提出，表明了90年代以来文学“无名”格局中的知识分子参与中国都市小说创作的一种新的观照方式。
To advance the theory that named Dushi Minjian is a new Angle of view, in which the intellectuals participate in creating the Chinese metropolitan novels under the nameless situation since 1990s.
“都市民间”理论的提出，表明了90年代以来文学“无名”格局中的知识分子参与中国都市小说创作的一种新的观照方式。
To advance the theory that named Dushi Minjian is a new Angle of view, in which the intellectuals participate in creating the Chinese metropolitan novels under the nameless situation since 1990s.
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