在张洹的《佛指》、宋冬和尹秀珍的《联手》中，人物形象仅仅是以片断的形势来表现。
The human figure is only represented in fragmentary form by Zhang Huan's Buddha Finger and United Hands by Song Dong and Yin Xiuzhen.
装置艺术家尹秀珍运用她个人的传记来表现随著物质环境转变而变更的自我身份。
Yin Xiuzhen uses her own biography to address the mutability of identity and its relationship to the material environment.
宋冬和尹秀珍在他们对个人和社会问题的探讨过程中，采用了录像、行为和装置的形式。
Song Dong and Yin Xiuzhen have used video, performance and installation in their investigation of personal and social issues.
宋冬和尹秀珍将艺术家间的合作概念推向一个全新的层面，即艺术家之间的互相信任是最重要，最宝贵的因素。
Song Dong and Yin Xiuzhen drive the idea of collaborative work to a new level where trust becomes invaluable.
宋冬和尹秀珍将他们的作品聚焦于身体的姿势和动作，同时正视社会现象，探讨这些现象对自身的特殊意义。
In their work Song Dong and Yin Xiuzhen confront broad social issues through an intense focus on gestures and actions that are deeply personal in meaning.
宋冬和尹秀珍将他们的作品聚焦于身体的姿势和动作，同时正视社会现象，探讨这些现象对自身的特殊意义。
In their work Song Dong and Yin Xiuzhen confront broad social issues through an intense focus on gestures and actions that are deeply personal in meaning.
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