而作为雕塑专业的研究生，想用雕塑语言来表现《江格尔》，让那些不懂蒙古语的人们从雕塑作品里能够欣赏到这部伟大的史诗作品。
As a postgraduate of sculpture major I want to express Jinggar in sculpture language and let the people who don't know Mongolian can appreciate the great epic from the sculpture.
蒙古族史诗《江格尔》和古希腊《荷马史诗》在宇宙结构的描绘上，表现出相似的观念。
The epic Jangar of the ancient Mongolian and the epic Homer of the ancient Greek both display similar primitive religion on the universe structure.
以《伊利亚特》为代表的西方海洋文化和以《江格尔》为代表的东方草原文化是产生于异质文明系统之中的文化类型。
As the representative of the Western Ocean culture and the East Prairie culture, the "Iliad" and the "Jiang Nagel" are derive from heterogeneous systems of the cultural type of civilization.
第四部分主要分析《江格尔》与《伊利亚特》审美表征的不同与相同表现。
The fourth part analyse the different or the same aesthetic features of "Jiang Nagel" and "Iliad".
荷马史诗与《江格尔》分别是西方世界与中国的文化瑰宝，它们各自承载了东西方不同的历史文化和民族心理。
Homer's Epics and Jangar are respectively regarded as Western and Chinese cultural treasures, each of them contains different historical cultures and national mentality.
萨满教“三界说”在《江格尔》里体现了“神本文化”；而萨满教的控驭行为（巫术）则反映了《江格尔》从“神本文化”向“人本文化”过渡的状态。
Shamanism' s theory of"the three world"embodies"the divine culture"in Jianger while the controlling act( witchcraft) reflects the transition of Jiangerfrom"the divine culture"to"human culture".
萨满教“三界说”在《江格尔》里体现了“神本文化”；而萨满教的控驭行为（巫术）则反映了《江格尔》从“神本文化”向“人本文化”过渡的状态。
Shamanism' s theory of"the three world"embodies"the divine culture"in Jianger while the controlling act( witchcraft) reflects the transition of Jiangerfrom"the divine culture"to"human culture".
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