该系统已装配好，但需要一些细小调整。
人们根据环境噪音的大小调节自己的声音。
People alter their voices in relationship to background noise.
我们习惯于对大调和小调进行联想
这是格什温的《波吉与贝丝》,小调
而且，这两段乐曲都是小调。
很不协和的音乐,它是大调还是小调呢
大调举右手，小调举左手。
好了，现在我们来讨论一下小调和大调。
一个著名的例子就是莫扎特的G小调交响曲。
以色列的国歌不就是那样的小调吗。
好吧，记得我们曾经，他首先来了段小调音阶。
各处的小调整不会持续太久。
执行模型的初始大小调整。
我们将邮件大小调整为更大的平均大小。
We've adjusted the mail delivery size to a larger average size.
让我们感受下这段犹太音乐,它在小调和大调之间转换
So, let's listen to this bit of klezmer music go back and forth between minor and major.
它算是介于大调与小调之间，等一下我们再展开讨论。
It's kind of between the major and minor that we'll talk about a little bit later on.
第二：《C小调匈牙利狂想曲》出自弗兰兹·李斯特。
No. 2: Hungarian Rhapsody no. 2 in C-sharp minor, by Franz liszt.
但是，在多数情况下，可以忽略窗口大小调整。
Nonetheless, for the most part, you can ignore window resizing.
扫描之间的休眠时间会根据主机内存大小调整。
The sleep time between scans is adjusted according to host memory size.
通过这种方式，只有与微小调整对应的转换需要进行修改。
In this way, only transforms that correspond to the minor adjustments need to be changed.
您还将需要对清单7所示的代码进行一些小调整。
You will also need to make a small adjustment to the code shown in Listing 7.
不需要检查大小调整事件、窗口事件或鼠标事件。
You don't have to run around checking for resize events, window expose events, or menu events.
这有一个小调的好例子，来自贝多芬第三交响乐的第二乐章。
Here's a good example of a minor from the second movement of Beethoven's Third Symphony.
给小调起个名。
好了，但是也许，世界上有多少个国家的国歌，采用的是小调呢。
Okay, but it may be — how many national anthems around the world do we have in minor keys?
客户区域大小调整了，整个窗体的大小也就自然调整了。
Naturally, as the client area is resized, the entire window resizes as well.
我们已经听过大调的调式了，我们已经接触过小调式了。
So, we've got scales that are in the major mode; we've got scales in the minor mode.
查找文献，看一看，但大多数，大多数，是小调，哦，不，是大调。
Go through the literature, see what — but mostly, for the most part, it shows minor — major.
查找文献，看一看，但大多数，大多数，是小调，哦，不，是大调。
Go through the literature, see what — but mostly, for the most part, it shows minor — major.
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