阿代尔长篇小说的样板不是别人的虚构故事，而是事实。
The template for Adair's novel is not somebody else's fiction, but fact.
好吧，这算不上严格意义上的小说，但是因为讲述的故事过于夸张，几乎是虚构的。
OK, this isn't exactly a novel, but the stories are so exaggerated as to be almost fictional.
他将这些知识应用到自己虚构的这个角色身上，完成了四部小说和56个短篇故事的创作。
He applied that knowledge to the character he invented, with Holmes appearing in four novels and 56 short stories.
但是他的大部分精力都致力于发表虚构故事，经常以各种笔名发表在像《惊骇奇幻小说》这样的纸浆杂志上。
But much of his energy was devoted to publishing stories, often under pseudonyms, in pulp magazines such as Astounding Science Fiction.
这部小说是关于唐朝佛教和尚唐三藏去印度朝圣以取得佛教经文的虚构故事。
The novel is a fictionalized account of the legends around the Buddhist monk Tang Sanzhuang's pilgrimage to India during the Tang dynasty in order to obtain Buddhist scriptures.
无论是迈克尔·翁达杰的小说还是影片都声明相关故事、姓名、人物、事件是虚构的。
Both Michael Ondaatje's novel and the film carry disclaimers that the story, names, characters, and incidents portrayed in the works are fictitious.
佛教文化在中土的深入传播，佛经故事虚构性与叙事性在中土叙事传统中的渗入，使得孕育在神话叙事与历史叙事母体中的中古志怪故事开始走向了小说文体的成熟。
The article researches the influencements that narration in Buddhist Scripture had on the style of writing of the mid-ancient Zhiguai stories while Buddhism spread to China in the mid-ancient time.
那么，为什么出版商继续泥泞使用虚构的故事和人物在非小说类书籍的水域？
So why do publishers continue to muddy the waters by using fictitious stories and characters in nonfiction books?
小说通过虚构故事，与社会真实相互印证，形成特殊的对话关系。
Dialogue between the novels and the social reality were established through the fabricate story.
小说通过虚构故事，与社会真实相互印证，形成特殊的对话关系。
Dialogue between the novels and the social reality were established through the fabricate story.
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