第一章诗歌语言和小说语言在生成阶段的区别。
Chapter language poetry and fiction in the formation stage of the language difference.
第二章诗歌语言和小说语言文本的外部特征的区别。
Second chapter poetry language and novel language version outside characteristic differences.
小说语言超常地使用状中搭配就是其中的一种。
One of them is a super-common adverbial-nuclear collocation in fictional language.
风格是指在小说语言公约用于构造故事或文章。
Style in fiction refers to language conventions used to construct the story or article.
第四章诗歌语言和小说语言在读解阶段的区别。
Chapter IV of the language of poetry and stories language Reading in the phase of the difference.
第三章诗歌语言和小说语言文本的内部特征的区别。
Chapter III of the language of poetry and stories language text of the internal characteristics of the difference.
对灵动性的追求是小说语言走向诗化的一个重要途径。
To seek the intelligence is an important way to the poetic flavor of the language offictions.
借鉴文学中介论的观点，界定了诗歌语言和小说语言的范围。
Literature from the perspective of an intermediary, as defined in the language of poetry and stories language.
象征意象的成功运用是《占有》小说语言的显著特色之一。
The successful use of symbolic images is one of the strong features of the fictional language in Possession.
第一章，由流丽、幽默，生动等特点对小说语言进行论述。
The first chapter discuss the language of novels, that is smooth, humor and vivid.
本文包括以下几部分：第一章论述了海岩小说语言的视听化。
This thesis includes the following sections:Chapter one discusses the audio-visualization of the language of Haiyan novel.
第四章论述先锋小说语言实验的得失和语言实验之后的转向。
The third chapter probes into the language world to discuss the abundant language phenomenon showing in avantgarde novels.
变异是文学语言的实质。因而，学术界对小说语言的变异比较关注。
Variation is the essence of literary language, so the academic circles pay more attention to the variation of novel language.
作为一位小说艺术家，康拉德对小说语言与现实之间的关系有深刻的看法。
As a novelist of acute artistic sense, Conrad holds deep understanding of the relationship between language and reality.
此外，他小说语言所富有的讽刺色彩，都使他成为有别于其他小说家的一个独特个体。
In addition, his novel language is rich in the satire color, causes him to become is different with a other writer of fiction's unique individual.
本文以东西的小说语言为研究对象，试图从语言学的角度去探讨其小说语言的表现风格。
This thesis will take the language of Dongxi's fictions as the research object and try to explore the language styles of his fictions from the perspective of linguistics.
小说语言研究是小说研究的一个十分重要的方面，因而在历来小说研究中占有一定的地位。
It is a very important part of the research of fiction to study the language of fictions.
作家到传统文化中淘洗自己的小说语言，务必要得到现代思想意识的烛照和其他文化的观照。
When they refine their fictional diction with the treasure of traditional culture, they should at the same time have a modern consciousness and bear in mind other cultures.
从多元观出发，可以发现小说语言风格包括小说作者语言风格和各种小说人物语言风格的多元性。
This article, from the Angle of a pluralistic concept, holds that fiction language style includes, apart from the style of the author, the styles of varied characters in a novel.
20世纪的美国文学逐渐走向成熟并达到鼎盛时期，研究这两个时期的美国小说语言中语法现象的变化具有重要意义。
Thus there is great necessity to study the change in grammar between the American English in the 19~(th) century novels and the 20~(th) century American novels.
但是传统的小说语言研究只着眼于“小说中的语言”，并且由于过于强调小说语言的指称意义而忽视了其本身所固有的文学性。
But traditional study was conducted from the Angle of "language in the novel", and neglected its literary instinct by over-emphasizing the meaning of the language.
罗伯特·瓦尔泽的小说语言具有推衍和悖论的特点，“然即否”式的荒诞语言结构凸显了德语文学传统中的“浪漫主义诙谐”。
The language of Robert Walsers novels is characterized by deduction and paradox. The contradictory structure of"'Yes'is'No'"underlines the"romantic humor"in the German literary tradition.
同时，作为一位风格独特的天才女作家，萧红通过对语言的超常规运用使小说语言个人化，从而小说得以以萧红个人色彩的文本显现。
At the same time, as a special and gifted authoress, with language used in an irregular way, her novels were much personalized.
这种观念的转变才是余华小说语言和叙事风格变化的根本原因。这也就能够很好地解释《活着》及其以后几部长篇小说风格的变化及水平高低的问题。
This shift is the main reason that leads to his change in language and narrative style, and it better explains the different levels and styles of his Being Alive and other following novels.
小说是用什么语言来写的呢？
我举起书告诉他，这是自福克纳去世后以各种语言出版的最伟大的小说。
I held up the book and told him it was the greatest novel written in any language since William Faulkner died.
我举起书告诉他，这是自福克纳去世后以各种语言出版的最伟大的小说。
I held up the book and told him it was the greatest novel written in any language since William Faulkner died.
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