本文试图通过分析勃拉姆斯晚期四部特性钢琴小品集(作品116—119号)的创作手法,来说明其通过对古典主义形式的剥离,对浪漫主义音乐元素的吸收,形成的独特风格。
The paper intends to show his deviation from classic forms by analysing his four later clavier essays Op. 116-119 which assimilated romantic elements and formed his own style.
本文试图通过分析勃拉姆斯晚期四部特性钢琴小品集(作品116—119号)的创作手法,来说明其通过对古典主义形式的剥离,对浪漫主义音乐元素的吸收,形成的独特风格。
The paper intends to show his deviation from classic forms by analysing his four later clavier essays Op. 116-119 which assimilated romantic elements and formed his own style.
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