在《霸王别姬》中，程蝶衣因持续模仿与自己完全不同的人物和性格，对现实和戏剧世界之间界限认识模糊，并由此形成第二天性。

In Farewell, Concubine, Chen Dieyi continually took off completely different characters and formed a second nature as the result of his vague cognition of the ambit between reality and drama.

youdao

在《霸王别姬》中，程蝶衣因持续模仿与自己完全不同的人物和性格，对现实和戏剧世界之间界限认识模糊，并由此形成第二天性。

In Farewell, Concubine, Chen Dieyi continually took off completely different characters and formed a second nature as the result of his vague cognition of the ambit between reality and drama.

youdao