事实上，在当代的中国，如姜国芳般潜心于历史画创作的艺术家已是风毛麟角。
In fact, there are scarcely any artists in present day China who devote themselves to the creation of historic paintings like Jiang.
九十年代以来，姜国芳对中国历史文化的膜拜构成了自我的艺术情愫和艺术追求。
In the 1990s, Jiang turned his worship of Chinese history and culture into his own artistic pursuit.
但姜国芳毫不理会这些陈规，转而强调在表达历史观念的同时，展现视觉性的意义。
Jiang, however, doesn't avoid these old "rules", and on the contrary, he emphasizes the visual impact of his paintings when presenting historic themes.
在学院学习的过程中，姜国芳即对以纯正的欧洲写实主义技巧来创作历史画感悟颇深。
While a student in the Academy, he developed a profound understanding of portraying historic themes with pure European realism.
在学院学习的过程中，姜国芳即对以纯正的欧洲写实主义技巧来创作历史画感悟颇深。
While a student in the Academy, he developed a profound understanding of portraying historic themes with pure European realism.
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