因此，姚贾在中国诗歌史上的接受过程是一个值得深入研究的特殊现象。
Therefore, Yao Jia accepted in the history of Chinese poetry is worth deeply studying.
在中晚唐之交，姚贾及其追随者以自己特有的方式续写了山水田园诗歌的传统。
During the mid-Tang and night-Tang dynasty, the aesthetic theme tradition of landscape poetry and pastoral poetry were innovated by Yaohe, Jiadao and their epigone.
中唐时代的贾岛、姚合两位诗人因交谊密切、诗风类似而被后世并称为“姚贾”。
Mid-Tang-Dynasty poets Jia Dao and Yao He are mentioned together by later generations as Yao and Jia on account of their closeness of friendship and similarity of poetic styles.
其所指晚唐诗人是以孟郊、贾岛、姚合为代表的一些有隐逸倾向、写清苦生活、刻意琢磨诗歌艺术技巧的诗人。
They mainly referred to the poetry with re-emitting tendency, written in an ornate style and concentrating on bitter lives by three representative poets Meng Jiao, Jia Dao, Yao He.
其所指晚唐诗人是以孟郊、贾岛、姚合为代表的一些有隐逸倾向、写清苦生活、刻意琢磨诗歌艺术技巧的诗人。
They mainly referred to the poetry with re-emitting tendency, written in an ornate style and concentrating on bitter lives by three representative poets Meng Jiao, Jia Dao, Yao He.
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