我们习惯于对大调和小调进行联想
学生：大调和小调？
重和弦不包含传统的大调和弦，小调和弦里说的音符。
The power chord does not contain the note which traditionally tells us whether the chord is major or minor.
好了，大调和小调，在传统的犹太音乐中有些含糊的地方。
Okay, that's a little bit of this ambiguity between major and minor in a piece of traditional Jewish music.
如果你追溯历史的话，你会发现到16世纪之前西方音乐明确还没有大调和小调。那时候(16世纪)人们刚刚开始创作牧歌【madrigal】，所有音乐和文字有了密切关系。
If you look back over it, there was no major or minor in western music up until about sixteenth century, and then people started writing these things called madrigals, that were tied to texts.
让我们感受下这段犹太音乐,它在小调和大调之间转换
So, let's listen to this bit of klezmer music go back and forth between minor and major.
好了，现在我们来讨论一下小调和大调。
总的来说，开放式调弦指的是将弦的音高改变，来达到大调及小调和弦的效果。
Generally, Open Tunings refer to the changing of string pitches to reproduce common Major and Minor chords.
总的来说，开放式调弦指的是将弦的音高改变，来达到大调及小调和弦的效果。
Generally, Open Tunings refer to the changing of string pitches to reproduce common Major and Minor chords.
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