这样在后期制作中很容易控制。
我打算在后期制作中创建整体背景。
I planned to make the entire background space in post-production.
我在后期制作阶段应用透视矫正。
I do this by applying perspective correction in the post-production stage.
对于那些不知道蛋糕含义的人-，咦，在后期制作中把这段修复了。
For those who don't know what this cake means — fix this in post production.
同时在后期制作时，借助镜头的剪辑功能，增强艺术感染力。
In the production of later stage, we should strengthen artistic appeal by editing function of telephoto lens.
这个场景最终的和最关键的接触点将会在后期制作部分被遮盖。
The final and most critical touch of this scene will be covered later in the post production section.
根据不同要求，使用应用软件对影像进行颜色校正，在后期制作中十分重要。
In postproduction, it is important to use color-correction application to make images look satisfactory according to the requirements of different purposes.
在后期制作中我们不能达到这一点，因为在背景树的树叶上阿尔法通道会出现很多问题。
We couldn't manage this aspect during post production, because there would have been lot of problems with alpha channel on the leaves of the background trees.
本。阿里。昂：我想我可以用某个柔软滤镜吧，但是我很喜欢在后期制作时用不同的东西。
Ben Ali Ong: I guess I could use a soft-filter but I like to use different things in post-production.
尽管图片很梦幻，Terren坚持说没有对照片进行过PS，只在后期制作上有少少的改变。
Despite the unreal nature of the images, Terren insists that there is no Photoshopping involved in the production of his pictures, and only slight alterations were made to them post-production.
坏的，甚至只是普通的照明是不是可以被固定或在后期制作提高，必须在完成拍摄时的各种权利。
Bad or even just ordinary lighting is something that can not be fixed or enhanced in post production, it must be done right at the time of shooting.
我最喜欢在3d中做完大多数事情，尤其是对于需要多个透视图的项目，因为它比在后期制作的工作更简单。
I am a big fan of doing most of the things in 3d, particularly for projects with multiple perspectives, as it works so much easier than if I would have done things in post production.
这些显示精准、色域广阔的主控技监，可以让制作者在后期制作中，更有信心地去得到他们意想之中的图像。
These precise, wide-gamut monitors allow creative image decisions to be made on set with confidence that the desired images can be accurately reproduced in post-production.
我的重点更多的是放在了建筑外部效果图上，以及在后期制作中融入景观，这也是我今天要跟大家讨论的内容。
My focus was more towards the external image set and the landscape integration in post which I will now discuss.
现在，一些带有黑色面孔的场景在后期制作中被删掉了，两只鞋太太一角已经完成了大变身，被换成了一位白人女性。
Some scenes featuring black faces were later edited out, and the character of Mammy Two Shoes got a complete makeover–she was changed into a Caucasian woman.
在后期制作阶段，我制作了所有的额外元素(比如人物)和上述色彩方案想匹配。下图展示了典型的添加元素的修正过程。
During the work in the post-production stage, I made all additional elements (like people) consistent with the mentioned colors palette. The image below shows typical additional element correction.
他由一个老太太扮演。她化着假妆，一双黑猩猩般的眼睛在后期制作中被嵌入暗色的眼眶，以创造出令人局促不安的形象。
He was played by an old woman wearing prosthetic makeup, with chimpanzee eyes superimposed in post-production into darkened eye sockets in order to create a truly unsettling image.
他由一个老太太扮演。她化着假妆，一双黑猩猩般的眼睛在后期制作中被嵌入暗色的眼眶，以创造出令人局促不安的形象。
He was played by an old woman wearing prosthetic makeup, with chimpanzee eyes superimposed in post-production into darkened eye sockets in order to create a truly unsettling image.
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