随着佛教在中国蓬勃发展，在魏，晋，隋、唐时期，刺绣被广泛用来显示荣耀佛像。
As Buddhism boomed in China during the Wei, Jin, Sui and Tang Dynasties, embroidery was widely used to show honor to Buddha statues.
其演变按时代可分先秦、两汉、魏晋、南北朝和晋、初唐一中唐、宋金、元明清等几个阶段。
It 's evolution include "post - Qin, Han, Wei and Jin, North and South Dynasties, Tang, Song and Jin, Yuan and Ming and Qing".
绘画风格兼容南北，广泛吸取了晋唐以来的艺术营养，又具有地域特色；书法作品既有古法，也不失个人风格，这些佳作为潮人所推崇。
The painting style has absorbed the art essence since Jin and Tang Dynasties; meanwhile, its characteristic combines the North and South China and local feature.
与晋唐田园诗相比，宋代田园诗的取象更注重丰富性、实用性和学术性。
Be compared with the Jin-Tang poesy, the aesthetic choice of the Pastoral Poetry in the Song Dynasty paid more attention to abundance, practicality and technicality.
同时，大量的商贸活动出现在范成大的田园诗中，这在晋唐田园诗中是极为少见的，这也成为范成大田园诗在内容上有别于陶渊明、王维、孟浩然田园诗的又一特征。
At the same time, a large number of activities of business appeared in the idyllic poems of Fan Chengda. These things were rare in the idyllic poems of Jin Dynasty and Tang Dynasty.
晋、唐时期(317- 907)，黄河中、下游不少人避战祸、逃灾荒南下。
Jin, Tang Dynasty (317-907), the Yellow River middle and lower reaches many people to avoid the scourge of war, famine fled south.
第二章首先探讨沈曾植书论中强烈的“扬帖”思想，然后重点阐述沈曾植“尊晋”、“褒唐”的帖学观念；
Chapter Two will firstly discuss the keen thoughts of "Raising 'Tie'" in Shen and then emphasize on the concepts of "Respecting Jin" and "Praising Tang".
江西旅游文学的历史发展可以分为三个阶段：晋唐勃兴期、两宋昌盛期和明清张扬期。
Tourism literatures are produced by tourism practice, and tourism literatures promote the developments of tourism industry.
江西旅游文学的历史发展可以分为三个阶段：晋唐勃兴期、两宋昌盛期和明清张扬期。
Tourism literatures are produced by tourism practice, and tourism literatures promote the developments of tourism industry.
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