然而这种观点是狭隘的欧洲中心论的观点，因为作为文化实体的吸血鬼是古老的全球化的现象。
Yet this is a very narrow, Eurocentric point of view; as a cultural entity vampires are an ancient, worldwide phenomenon.
很难说观众对马特瑞乌斯对备受好评的瑞典吸血鬼电影《生人勿近》的美国化如何反应。
Hard to say what the audience was for Matt Reeves' Americanization of the acclaimed Swedish vampire film "Let the Right One In."
现今，小说、电影和电视剧都充斥着吸血鬼和狼人的身影，譬如说《暮光之城》中的爱德华华·库伦，他甚至具备了人性化的同情心。
Nowadays, books, movies and TV are filled with vampires and werewolves, and some, such as Twilight's Edward Cullen, are even sympathetic characters.
在过去的几周里，弗里德里希点•哈耶克1944年发表的经典著作《走向奴役化》在亚马逊图书网销量攀升，直逼榜首的瑞典惊悚小说和吸血鬼小说。
For the past few weeks Friedrich Hayek's 1944 classic "The Road to Serfdom" has battled Swedish thrillers and vampire novellas atop Amazon's charts.
现今，小说、电影和电视剧都充斥著吸血鬼和狼人的身影，譬如说《暮光之城》中的爱德华·库伦，他甚至具备了人性化的同情心。
Nowadays, books, movies and TV are filled with vampires and werewolves, and some, such as Twilight's Edward Cullen, are even sympathetic characters.
现今，小说、电影和电视剧都充斥著吸血鬼和狼人的身影，譬如说《暮光之城》中的爱德华·库伦，他甚至具备了人性化的同情心。
Nowadays, books, movies and TV are filled with vampires and werewolves, and some, such as Twilight's Edward Cullen, are even sympathetic characters.
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