后现代语境中的文化，主张无中心、无主体、无距离、不确定性、碎片化和非理性等思想。
The post-modern culture advocates the thoughts of no center, no subject, no distance, uncertainty, fragmentation and irrational thought.
马克思与后现代主义都对传统主体概念进行了颠覆。
Marx and Post - modernist both subvert traditional concept of subject.
批判主体，质疑理性，否定基础主义等，这些几乎成为后现代社会理论的基调。
Criticising main body, questioning the rationality and denying basic principle nearly become the keynote of postmodern social theory.
后现代教育作为一种教育理论，具有“全民教育”、“终身教育”、“主体教育”、“通识教育”等本质特征。
As an educational theory, postmodern education has many features, such as popular education, continuing education, subjective and general education.
主体和客体关系及知识和权力关系的结构性转变，是网络空间知识活动的后现代状况的突出表现。
The structural transformation of the relationships between subject and object, between knowledge and power is the chief reflection of the later modernity status of knowledge activities in cyber space.
前现代、现代、后现代的交织与共生加剧了“水墨”这一概念或主体的破裂和异化。
The intertwining and symbiosis of the pre-modern, modern and post-modern aggravates the rupture and alienation of this concept or subject of "ink painting".
马克思与后现代主义都对传统主体概念进行了颠覆。
Marx and Post-modernist both subvert traditional concept of subject.
本文之所以用这对概念从主体史角度开始考察国际关系，目的是为了与现代性国际关系、后现代性国际关系区别开来。
The reason for setting up the concepts from the Angle of subjectivity history is to differentiate them from modernity and post-modernity International Relationship.
后现代认为，现代性问题的核心是主体问题，要超越现代性，必须从批判先验主体这一现代性问题的根源开始。
Post-modernity considers the question of subject as the core of modernity, in order to transcend modernity we have to begin with criticizing transcendental subject.
手机的媒介特性和手机小说主体的后现代倾向促使其文本特征的形成。
The characteristic of media of phone and the incline of post-modernism of phone novels subject promote the formation of text characteristic of phone novels.
后现代主义哲学则对传统理性主义主体进行了批判与解构。
However, Postmodernism philosophy criticized and deconstructed the traditional intellectualistic subject.
在后现代语境中诸多对主体的消解理论中，拉康结构精神分析学的“主体”思想却显的卓尔不群。
Lacan's theory of subject is the most outstanding in the various contemporary similar Subject-dispelling theories in the sense of the post-modern understanding.
尽管如此，事实上“主体”并未消亡，后现代和马克思哲学对主体哲学的“颠覆”实际上只是对主体至上和理性至上的一种矫正罢了。
As far as the postmodernism and the Marx philosophy, subversion only in fact wants to rectify the supreme of subject philosophy.
《汀克溪的朝圣者》体现出了明显的后现代主义倾向：它在消解现代主体（性）的核心内容；
Pilgrim at Tinker Creek evidently embodies the following postmodernist concepts: firstly, it decomposes the core of modern subjectivity;
《乌鸦》是当代英国诗坛最负盛名的诗人塔特·休斯的第四部诗集、代表作。 《乌鸦》以其主体意象模式、独特的形象造型和语言特征，成为一部后现代视域下的实验拓新，实现了诗人“风格的尝试”。
Crow, as the fourth volume by Ted Hughes, who was the late Poet Laureate in Britain, is characterized by its principle imagery model, unique images and linguistic style.
《乌鸦》是当代英国诗坛最负盛名的诗人塔特·休斯的第四部诗集、代表作。 《乌鸦》以其主体意象模式、独特的形象造型和语言特征，成为一部后现代视域下的实验拓新，实现了诗人“风格的尝试”。
Crow, as the fourth volume by Ted Hughes, who was the late Poet Laureate in Britain, is characterized by its principle imagery model, unique images and linguistic style.
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