叙事声音与叙事眼光不再统一于叙述者，而是分别存在于故事外的叙述者与故事内聚焦人物这两个不同实体中。
The narrative sound and the narrative Angle of view do not come from the same narrator, but exist in the different characters.
在叙事学中，叙事情境主要用来阐明叙事文本中叙述者与故事之间的种种复杂关系。
In narratology, "narrative context" is used to clarify the complicated relations between relater and story in the narrative text.
叙事主体主要包括隐含作者和叙述者，传统小说中二者基本一致，普遍信奉叙述者权威的原则。
Narrative subject mainly includes an implied author and a narrator, which are basically in common in traditional novels, which generally believe in the principle of the narrator's authority.
在叙事虚构作品中，不能将作品的作者等同于作品的叙述者、将作品中的叙述声音等同于作者的声音。
In reading narrative fiction, we should not equate the author with the narrator or equate the narrative voice with the voice of the author.
本文借助女性主义叙事学的性别叙事理论，结合文本叙述形态与叙述者的性别身份，主要对“霸王别姬”故事中虞姬的身份建构历程进行分析。
Referring to the gender narration theory and combining with text narrative patterns and the gender of the tellers, the paper analyzes the gender and its construction course of Yuji in the stories.
在叙事方式上，她放弃了传统的“全知全能的叙述”，由作家的个人叙述转变为叙述者的非个人化叙述。
As to the narrative style, she gives up the traditional omniscient and omnipotent narration, but choose the narrator's impersonal one.
叙述情境指的是故事和故事叙述者之间的关系，它是叙事文学作品中最基本的又是最复杂的关系。
The narrative situation refers to the relationship between a story and the narrator of the story, which is the most essential but the most complicated relationship in a narrative literary work.
在叙事作品中，叙述者可以种种方式对于其所讲述的故事以及文本本身进行干预。
In narrative texts, the narrator can intervene the story or text itself in different ways.
在并置碎片的过程中，作家引入了不同性别叙述者，向以男性为中心的叙事提出了挑战，解构了男权体制。
In her juxtaposition, Morrison usheres in narrators of different genders, challenging the male-centered narrative and deconstructing the patriarchal system in Ruby.
本文从现代叙事学理论入手，对斯蒂文森的苏格兰散文叙述者及其聚焦特点进行分析，并进一步从心理层面对该类散文的叙事特点进行讨论。
This paper analyzes the narrative characteristics of his Scottish essays in terms of the narrators and the focalizations, and discuss those characteristics from the psychological perspective.
本文从叙事学的角度论述“异史氏曰”，认为“异史氏曰”是《聊斋志异》中的干预叙述者。
This article elaborates"Yishishi Comments"from the angle of narrative theory. Itargnes"Yish- ishi Comments"is Intervention narration of a"Strange Stories from a Chinese Studio".
鲁迅小说中，故事的叙述者对事实的讲述和评判往往与隐含作者一致，是一种可靠的叙事。
The narration of the story by the narrator in Lu Xun's fiction is always in accordance with that by the implied author, and therefore the fictional texts provide a reliable narration to the reader.
在《美国太太的金丝雀》中，海明威采用省叙和赘叙的叙事方式讲述故事，使得故事的叙述者和聚焦人物笼罩着一层神秘色彩；
In A Canary for One, Ernest Hemingway tells his story in the ways of paralipsis and paralepsis, which casts an air of mystery over the narrator and the focused character of the story;
这多个叙述者自然会产生多个叙事视角，即使是对同一故事的叙述麦家也采用了多个叙述者从不同角度来讲述的方式。
Those multiple narrators will bring multiple narrative perspectives, even the narrative perspective on the same story narration Maijia also adopted more narrator from different angles.
在叙事方式上，她放弃了传统的“全知全能的叙述”，由作家的个人叙述转变为叙述者的非个人化叙述。
As to the narrative style, she gives up the traditional omniscient and omnipotent narration, but choose the narrator's impersonal one. In addition, she opens a new wo...
在叙事方式上，她放弃了传统的“全知全能的叙述”，由作家的个人叙述转变为叙述者的非个人化叙述。
As to the narrative style, she gives up the traditional omniscient and omnipotent narration, but choose the narrator's impersonal one. In addition, she opens a new world for novel expression...
在叙事方式上，她放弃了传统的“全知全能的叙述”，由作家的个人叙述转变为叙述者的非个人化叙述。
As to the narrative style, she gives up the traditional omniscient and omnipotent narration, but choose the narrator's impersonal one. In addition, she opens a new world for novel expression...
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