原节子露出了温暖而豁达的微笑。
而在此全过程之中，原节子展现了其真实的自我。
But eventually she married and through it all she showed her real self.
在此全过程之中，原节子展现出的还是其真实的自我。
通过超越加诸其身的种种限制，原节子做到了这一点。
于是，原节子在银幕中并没有破坏和谐的氛围，相反，这种和谐感由她所创。
Thus, on the screen, she did not disturb harmony, she created it. And in this harmony she found herself.
不过媒体与公众也没有再次获得能一泄其失望之情的机会，因为原节子再也未曾露面。
But press and public were allowed no further opportunity to display their disappointment, for she never again appeared.
原节子饰演的儿媳对此表示赞同，之后她说道：的确很残酷，不过子女们会渐渐变成那样的。
The daughter-in-law, Setsuko Hara, agrees, then says: It is, but children get that way... gradually.
之所以这样，是因为原节子在银幕上以一种现实中真人无法做到的方式，使自己的生活和谐一致。
This was because on the screen she reconciled her life as real people cannot.
她从未得到原谅。不过媒体与公众也没有再次获得能一泄其失望之情的机会，因为原节子再也未曾露面。
She was never forgiven. But press and public were allowed no further opportunity to display their disappointment, for she never again appeared.
在1949年这部电影的1960年版本——《秋日和》中，原节子不再出演女儿，而是以家长的身份登场。
In Late Autumn, a 1960 version of the 1949 film, she played the parent rather than the daughter.
与父亲相守度日便已令人知足，不过最终却还是嫁与他人；而在此全过程之中，原节子展现了其真实的自我。
Staying on with her father was enough. But eventually she married and through it all she showed her real self.
在这个明星们会始终坚守舞台的地区，自愿引退的做法闻所未闻，尤其对于像原节子这种级别的明星而言，情况更是如此。
Here, where the stars hang on, voluntary retirement is unknown, particularly for one the caliber of Setsuko Hara.
之后，便是突如其来的引退之举，而原节子息影的方式也是如此意外，她仅仅只是告诉大家：我不再拍片了。一位小津的人物怎会这般行事？
And then this sudden retirement. And the way she did it. She simply announced it. This was no way for an Ozu character to behave.
之后，便是突如其来的引退之举，而原节子息影的方式也是如此意外，她仅仅只是告诉大家：我不再拍片了。一位小津的人物怎会这般行事？
And then this sudden retirement. And the way she did it. She simply announced it. This was no way for an Ozu character to behave.
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