广告上说在城市美术馆有一个名为《桂林掠影》的展览,举办者是艺术家张凌洪。
The AD says that at the City art Gallery, there is an exhibition called Glance of Guilin by the artist Zhang Linghong.
河流中的冰凌不仅直接影响到冬季的航运、交通、引水发电、给排水等水利工程建设事业,而且当冰凌严重阻塞河道时,往往会导致凌洪泛滥成灾,给人民生命财产带来重大损失。
Ice will not only influence shipping, transportation, hydraulic power, water and sewage, but also lead to ice flood and cause huge losses when ice blocks the river course severely.
洪凌认为“自然”这个观念对他的艺术具有根本性的意义。
Hong Ling believes that the concept of "nature" is fundamental to his art.
洪凌作品中的天空的表达,就是对空间的一种处理方式,它不是画出真实的天空或是画出天空的真实感觉。
The representation of skies in Hong ling's works is indeed a method of handling space. It is not a painting of real skies or the real sensation of skies.
对于洪凌来说,绘画中的空间,是一种有限空间,是对空间进行限制后的表达。
To Hong Ling, the spaces within painting are a type of limited space. It is an expression of space after limitations.
相较于人物,山水提供给洪凌的,不仅是自然的物象,更是一种可以在具象和抽象之间自由出入的创造状态。
Compared to human characters, landscapes not only provide natural imagery to Hong Ling, but also a creative condition that comes out freely from between figurative and abstract art.
1980年代,洪凌画过一批极具表现性的抽象绘画,其目的是从传统写实的绘画中脱离出来。
In the 1980s, Hong Ling painted a number of highly expressive abstract paintings with the intent of coming out from traditional realism painting.
洪凌油画所追求的价值理想,已经与传统的油画不太一样,更多地走近了中国画的美学理想。
The values and ideals that his paintings pursue are different from those of traditional oil painting. Instead, they approach closer to the aesthetic ideals of Chinese painting.
洪凌作品中的物象,有平面化的简洁,也有重叠笔触的肌理,正如中国画论中的“密不通风,疏可走马”。
The imagery within Hong Ling's works present a planar simplicity along with overlapping strokes of texture, much like the "dense yet sparse" qualities of Chinese painting theory.
画面中色彩的前后运动,引导我们的眼睛和心灵产生流动,在洪凌的画里打动人的不是一种视觉的深远。
The back and forth movement of the image's colors guides our eyes and spirits to produce a flow. In Hong Ling's paintings, far-reaching visuals are not the factors that move people.
洪凌并不刻意在作品中表现空间的深远或者再现天上的白云,他赋予作品的,只是一种平面的色彩感觉。
In his works, Hong Ling does not necessarily intend to express the depth and distance of space nor represent the clouds in the skies. He only gives his works a sense that there are planes of colors.
洪凌并不刻意在作品中表现空间的深远或者再现天上的白云,他赋予作品的,只是一种平面的色彩感觉。
In his works, Hong Ling does not necessarily intend to express the depth and distance of space nor represent the clouds in the skies. He only gives his works a sense that there are planes of colors.
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