李健吾戏剧；法国文学；影响；接受。
李健吾的剧作是在传统与外来文化交融的基础上，基于现实需要的崭新创造。
Li JianWu's drama is a blending in tradition and outside culture, a brand-new creation that on the basis of reality needs.
以往对李健吾文学批评的研究多是对其独特的批评特征的横向、平面的分析。
Previous research about li Jian-Wu's literature criticism is on its unique characteristics, analyzed the plane.
李健吾是一位具有独特的美学追求和艺术风格的现代剧作家，他的话剧开辟了新的审美领域与表现艺术。
Li Jianwu is a modern dramatic writer of special aesthetic pursuit and style. His drama opened anew aesthetic domain and the arts of representation.
李健吾的批评意识主要表现在文学批评的性质、文学批评的功能，文学批评的态度，文学批评的文体等方面。
The third part comprehensive analysis Li Jian-Wu′s criticism consciousness of criticism of nature, criticism of the function, the criticism of attitude, criticism of style.
针对他的文学批评观点，分别从四个方面进行阐述，同时指出作者在文学批评观上与李健吾先生有异议的地方。
This text aims at Li Jianwu's literary criticism to discuss the contentious points of the author from Li Jianwu through four aspects.
针对他的文学批评观点，分别从四个方面进行阐述，同时指出作者在文学批评观上与李健吾先生有异议的地方。
This text aims at Li Jianwu's literary criticism to discuss the contentious points of the author from Li Jianwu through four aspects.
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