唐代是中国传统仕女画的黄金时期。
Tang Dynasty is a Golden Age of the traditional Chinese Painting of beautiful women.
织，仕女打着伞儿漫步雨中。
我的好魏公，来看看我的新仕女，小妮。
织，仕女打着伞儿漫步雨中。
《仕女》中鲜明的红唇与雪白肌肤成了强烈对比。
The bright red lip and the white skin in the Lady will give viewers a sharp visual contrast.
明代仕女画是一个很重要但又缺乏整体研究的领域。
Ladies draw in the Ming Dynasty is a very important but the lack of an overall study area.
而仕女的坐姿又和背景的青瓷花瓶的形态互相呼应。
The elegant posture of the lady echoes the form of Chinese blue and white ceramics.
畏惧一幅美丽的画，无论是写意山水，还是工笔仕女；
Fear of a beautiful painting, whether it is a decent landscape, or fine brushwork ladies;
是目前全世界范围内唯一认定的唐代仕女画传世孤本。
Is currently the only recognized worldwide tang handed down only existing copy of seeing painting.
《仕女》图色彩清雅，线条细劲清圆具木刻味，形式富装饰性。
The Elegant Ladies is graceful in color, with fine, vigorous, clear and smooth lines typical of woodcarvings, thus an excellent form for decoration.
这是我个人疏忽，后来我看报纸才知道歌红女士的作品是仕女画。
This is my personal negligence, afterwards I read the work that the newspaper just know a song red lady is a painting of lady.
唐朝绘画仍以人物画为主流，仕女画又是这个黄金时代的点睛之作。
The painting of the Tang Dynasty still took figure painting as principal genre, of which painting of beautiful women was the most excellent works of art in the golden age.
他们是贵族女性风俗画的先驱，对后世仕女画创作产生了重大影响。
As forerunners of secular lady paintings, they had a big influence on later paintings of court ladies.
弈棋仕女图，绢本设色，纵63厘米，新疆维吾尔自治区博物馆藏。
Noble Lady Playing Chess, ink and pigment on silk, 63cm in height, in the collection of the Xinjiang Uygur Autonomous Region Museum.
她觐见过皇上吗？在进过宫的仕女们中，我好象没有听见过她的名字。
Has she been presented? I do not remember her name among the ladies at court.
王后的三位仕女坐在一起，由侍女和十几个钦慕她们的黑衣兄弟服侍着。
Three of the queen's ladies sat together, attended by their serving maids and a dozen admiring men of the Night's Watch.
本文主要谈笔者的木雕创作，对木材的选取和仕女形象的具体塑造过程。
This article mainly discusses the author's woodcarving skills, the material selection of lumber and the concrete creation process of the ancient beauty.
唐寅是我国明代著名的画家，开创了削肩忧怨“世俗美”的仕女画类型。
Tang Yin was a famous painter of the Ming dynasty who initiated the traditional Chinese painting style of depressed beautiful women with sloping shoulders.
他的早期作品《街头时尚忆》是对传为唐代绘画的《簪花仕女图》的进行的文本改造。
His early work "street Fashion Comments" is a revision of the text of the Tang Dynasty painting "Group portrait of Noblewomen".
研究我国古代卷轴仕女画为的是取其精华，弃其糟粕，指导我今后如何表现当代女性的形与神。
Investigating Chinese ancient scroll pictures of ladies is for picking up its soul from the dregs, and guiding me how to show the shape and spirit of modern women in future.
本文试以《簪花仕女图》为出发点，探析它的艺术成就和特点，以此对唐代绘画的风格与同行探讨。
With A Beauty Wearing a Hairpin as a starting poing, this essay discusses its characteristics and artistic achievements with a view to revealing the painting styles in the Tang Dynasty.
他在85岁那年(1515年)完成了被认为是杰作的“执镜仕女”(详细见上图)就像一首无声的诗。
In 1515, when he was 85, he painted a piece of silent poetry that many consider his masterpiece: "Lady with a Mirror" (a detail from which is shown above).
唐代大画家张萱的人物画中，妇女形象大多丰颊硕体，服饰艳丽，具有盛唐以后仕女风俗画的典型风格。
In the personality paintings by great artist Zhang Xuan, most female characters are fat in beautiful dressing, which is the typical folk style of late Tang dynasty.
他的工笔人物画造型严谨，刻画入微线条流畅，刚健爽朗，风格清闲，完全摆脱了旧人物仕女画柔靡琐细的积习。
His fine brushwork rigorous modeling portraits, portrait of attention fluid lines, robust hearty, free-style, completely out of the old ladies painted figures Sophie inveteracy trivial detail.
我觉得：现代工笔仕女绘画艺术必须是扎根于大唐工笔仕女画文化的这个土壤，大唐工笔仕女画是我们工笔绘画的文脉所在。
In my opinion: modern fine brushwork painting of beauties must be based on the culture of Tang-Dynasty fine brushwork painting of beauties, which is the source of the modern fine brushwork painting.
我觉得：现代工笔仕女绘画艺术必须是扎根于大唐工笔仕女画文化的这个土壤，大唐工笔仕女画是我们工笔绘画的文脉所在。
In my opinion: modern fine brushwork painting of beauties must be based on the culture of Tang-Dynasty fine brushwork painting of beauties, which is the source of the modern fine brushwork painting.
应用推荐