类型化和个性化是两种不同的人物塑造手法。
Stereotype and individualization are two different arts of characterization.
索福克勒斯和欧里庇得斯创作之不同，主要表现在人物形象的塑造、常用的创作手法、剧情的结构和戏剧精神等方面。
The differences of Sophocles and Euripides' creation mostly lie in the molding of character's image, the used creative tactics, the plot structure and the spirit of the drama, and so on.
在对小说文本进行分析的基础上，尝试运用俄国形式主义学派的“陌生化”手法解读桑提亚哥这一人物形象塑造的新颖、奇特之处。
On the basis of the textual analysis of the novel, V-effect of character depiction from Russian formalism is used to explore the novelty and peculiarity of the depiction of Santiago.
但是，近于工笔式的写作手法，与现实拉开距离的苦难题材，颇有些神化的人物形象塑造，也成为曹文轩创作的缺失之处。
But his way of writing like fine brushwork, hardship themes which are far away from realism, and the mythical figures he establishes also become his defect.
悲剧《哈姆雷特》对古希腊悲剧的继承性，体现在结构、情节安排和矛盾冲突、人物形象塑造、艺术手法表现上。
The inheritance of Hamlet to the ancient Greek tragedy was embodied in many aspects-the structure, plot arrangement, conflict, characters and artistic style.
本文分析《抽彩》的冲突、背景、人物塑造、象征和讽刺手法。
The paper appreciates literary devices such as conflicts, setting, characterization, symbolism and irony in the "The lottery".
尤其作者运用对比手法塑造的人物形象体系，使美与丑、善与恶形成了十分鲜明的对比从而突出了作品主题。
In particular, the author compared the use of practices shaping the images system so that Meiyu Chou, formed a very good and evil in stark contrast to the works of prominent theme.
创作题材的多样化、对话建构小说的主体、讽刺手法的灵活运用以及边缘化人物形象的塑造等等组合出富有特色的王朔作品。
The diversification of the subject matter, subject, flexible application of irony, and marginalized personage image compose Wang Shuo's characteristic work.
他不满足于单纯地叙述悲剧情节和塑造悲剧性的人物形象，而是借鉴了西方美学思想和现代创作理念，以艺术的手法完成了对悲剧意识的建构。
He went beyond simply narrating plot or creating tragic characters and artistically constructed tragic consciousness by making use of the western aesthetic thinking and modern creation notion.
郭京这一反面人物是塑造得最为成功的形象之一，讽刺手法的运用达到了很高的艺术水准。
But the shape was the most successful when the number of Guo Jing the villain, the use of satire to achieve a high artistic standard.
在将其类型定位为性格喜剧的类型的基础上，分别研究了人物塑造、喜剧技巧与手法、和喜剧语言的修辞艺术等几个主要方面，并简单总结其对现代喜剧领域的贡献。
It is composed of creating characters, the technique of comedy, and the rhetoric arts of comedy's language. In the end it summarizes Li's contribution to the modern comedy.
在将其类型定位为性格喜剧的类型的基础上，分别研究了人物塑造、喜剧技巧与手法、和喜剧语言的修辞艺术等几个主要方面，并简单总结其对现代喜剧领域的贡献。
It is composed of creating characters, the technique of comedy, and the rhetoric arts of comedy's language. In the end it summarizes Li's contribution to the modern comedy.
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