牙买加的雷盖音乐完全不同于北美的爵士乐或布鲁斯音乐。
Jamaican reggae music is quite distinct from North American jazz or blues.
1799年12月华兹华斯和桃乐茜搬到他们第一个在雷克兰的家。
In December 1799 Wordsworth and Dorothy moved into their first Lakeland home.
鲍勃·马利逝世30周年后，他的音乐遗产正在消亡，因为比起雷鬼乐，牙买加的年轻人更加亲睐舞厅音乐。然而，如果对马利的形象进行高度的商业化运作，身为歌手的马利将继续成为人们崇拜的偶象。
May 11, 2011 -- Bob Marley's musical legacy may be waning 30 years after his death as Jamaica's youth prefers dancehall to reggae, but the singer remains a cult, if highly commercialized, figure.
如果他没有被人逼得要向全世界传达“讯息”，以表示雷盖是他最理想的语言，他这一生本可以唱一些祖鲁都市摇摆乐。
He might have sung Zulu township jive all his life, if he had not felt compelled to give "a message" to the world for which reggae was his ideal language.
我记得坎特伯雷大主教在一场布道会里批评摇滚乐。
I remember the Archbishop of Canterbury preaching a sermon against rock 'n 'roll.
纽特·冈雷以玩弄比布尔为乐，用纳布人民的悲惨命运来嘲弄他。
Nute Gunray delighted in toying with Bibble, taunting him about the dire state of the Naboo populace.
当时我在家的书房，随意弹着电吉他，考虑到雷鬼乐的影响，对圣迭戈的晴朗午后来说太赞了。
I was at home in my writing room, chugging along on my electric guitar, minding my reggae influences, grateful for another sunny afternoon in San Diego.
我好喜欢雷鬼乐。
我一定要告诉他，古德凡乐太太-格雷斯。
了不起的JSB ！是一种全新的音乐，混合了爵士，中国民谣，布鲁斯，雷鬼，英国摇滚乐，法国小调和非洲节奏。
THE INCREDIBLE JSB! Is introducing a musical mix of Jazz, Chinese Folk music, Blues, reggae, English rock music, French chansons and African rhythms.
在丹尼尔。罕得乐以笔名雷蒙·斯尼奇写的不幸事件系列中一共有13本书。
Thereare 13 books of this 'Unfortunate Events' series written by DanielHandler under the pseudonym of Lemony Snicket.
这个音乐的形式导致了称雷鬼摇摆乐加勒比音乐的新形式。
This form of music led to the new form of Caribbean music which was called the reggae.
雷是我们的朋友，你就全当它是我们生活交响乐中的击鼓好了。
Thunder is our friend. Just think of it as a drum roll in the symphony of life.
主要馈赠还有120件日本18和19世纪的版画，创作者包括东斋写乐、铃木春信、鸟居春长等，它们均由葛雷朋浮世绘收藏会所捐赠；
Other major gifts include 120 Japanese prints of the 18th and 19th centuries, by artists such as Sharaku, Harunobu and Kiyonaga, donated from the Grabhorn Ukiyo-e Collection;
从1963年至1975年，乐Clézio探索主题，如精神错乱，语言，写作和献身于正式试验后，这种同时代的乔治佩雷克或米歇尔布托尔。
From1963 to 1975, Le Clézio explored themes such as insanity, language, writing and devoted himself to formal experimentation in the wake ofsuch contemporaries as Georges Perec or Michel Butor.
从1963年至1975年，乐Clézio探索主题，如精神错乱，语言，写作和献身于正式试验后，这种同时代的乔治佩雷克或米歇尔布托尔。
From1963 to 1975, Le Clézio explored themes such as insanity, language, writing and devoted himself to formal experimentation in the wake ofsuch contemporaries as Georges Perec or Michel Butor.
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