严培明认为，查尔斯王子代表了欧洲最伟大的王朝之一。
Yan Peiming believes Charles represents one of the greatest Dynasties in Europe.
严培明作品中的形象塑造于是被抽象化了，并未被刻意的剥离开来。
Figuration in Ming's painting thereby dissolves into abstraction, without either being clearly separate.
严培明有大量的画作始于摄影作品，也受到器材功能或者人们称之为“构图”的效果的制约。
Ming's pictures, many of which start from photographs, are also subject to a mechanism or an effect that one might call screening.
在创作他父亲在太平间的肖像时，严培明建立了一种他和他以往塑造的相同情景下其他人的联系。
In painting his father in the morgue, Ming establishes a connection between him and other individuals that he has depicted in a similar position.
这幅黑白肖像画并不是让查尔斯王子坐在画家面前画成的，而是严培明参照查尔斯王子的一些照片所作的。
This black and white portrait is not drawn in the way that Prince Charles sits in front of the painter, but Yan Peiming takes some pictures of Prince Charles for reference.
这些传奇人物的形象和严培明及其父亲的形象之间的混杂不单单出现在这一组特定的作品中，在他的其他肖像画的关联中也呈现了这样的特点。
This mixing of mythical figures with the person of Ming and the person of his father occurs not just within this specific group of works, but also appears in the portraits.
这些传奇人物的形象和严培明及其父亲的形象之间的混杂不单单出现在这一组特定的作品中，在他的其他肖像画的关联中也呈现了这样的特点。
This mixing of mythical figures with the person of Ming and the person of his father occurs not just within this specific group of works, but also appears in the portraits.
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