You know, that song you are currently listening to that is doing it for you.
But then when I got into college, it was the "Mongoloid" song, which I see you got an advertisement our for--you sold that song for an ad.
Do you remember that old song "You say tom-ar-to, I say tom-ay-to" ?
If you introduce that song today, there will be a lot of people, a lot of young kids, who have never heard that.
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And you've a song that you've recorded and someone else had recorded.
As you think back, when you were thinking back to that song when you were 26 and now, when you're a few years older, the meanings have changed quite a bit.
If you found that one hit, that one song that really spoke to you or made you discover a new band or new sound, the album was a winner.
And then you come out and play that song we all knew you were going to play anyhow.
Then he would say, I'm writing you a song that's gonna last forever.
Like the time a little Chinese girl came up to me after I performed at a relocation school in Sichuan's earthquake disaster zone and asked: "Big Sister Wang, can I sing you a song that my mom sang before she was swallowed in the earthquake...?" She sat on my lap and I could feel the warmth of her body.
When you see that train roll in, it's like listening to an old song that you love.
And but it was a lot of fun, and everybody in the whole place, you know, knew that song.
If you saw the movie The Fighter, you remember the song that propelled so much of the action in the boxing movie.
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Let me ask you about a song that a lot of people don't like under any circumstance, but by a great songwriter and singer, Paul Anka.
You could share that with a friend the way that you might loan a vinyl record or a CD to them, to listen to a song that meant something to you.
You know, I think of that song as having a sort of jazz cast to it, you know?
And then the issue is just when you make a purchase, you ought to be able to enjoy that song on any device, in any situation that you want - that music consumers aren't by default thieves.
And if you construct a song in such a way that, you know, it acknowledges the floor but is, you know, somehow floating above it, that's always the goal.
To get that song, you'll have to download the entire album it appears on, the 1995 release The Bends.
And when (she) gives you a regular song, that's going to be as shocking as the meat dress, with her sitting there at the piano with no crazy hat on.
No song that gives you pleasure should also give you a sense of guilt.
First of all, you've only got one night so it's not a performed song that can amount to anything because you've got such a small window.
But I like the fact that, you know, a classic song can have relevance today, you know.
The idea goes the way of that song on the radio you heard way too many times.
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But you could have spent that time playing another song instead of making us beg and plead like some musical BSDM game.
So they can see that we're versatile and also that they could see and feel it and feel the experience because every song and every chant or every song that we, you know, that have some lyrics to it, they have meaning to it, and that's what we've been striving to do.
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