Tracking the history or provenance of a work of art is one.
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The sheer amount of things to see is staggering, and like any big city art or natural history museum, the vast majority of the artifacts and memorabilia are in storage, not on display, enabling them to be rotated with enough frequency so that every time you visit it is new again.
What's often forgotten is that the public has a role in art history, whether it's the Mona Lisa or this piece, 'Levitated Mass.
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In the early exhibitions there was no attempt to display paintings chronologically or even geographically, but with the growth of art history in Germany this gradually became more common, as did the idea of panoramic displays of the work of a single artist, which by 1900 had become a standard way of commemorating their anniversaries.
"The opportunity for a museum or a private collector to buy one of the great icons of art history is unlikely to be repeated any time soon, " said Shaw.
Maybe just the advertising of that or maybe, for example, in the classic example we often use is the history of art survey where you go back and look at things, like some of the great pieces - works of art of over our history which probably sometimes do depict naked children.
His concern was never a book's place in the canon or a painting's in art history.
Visit the Yale University Art Gallery, which houses more than 185, 000 pieces of international and American art, or the Peabody Museum of Natural History, which displays mounted apatosaurus and stegosaurus dinosaur bones in its great hall.
He spins an extraordinary tale of great industrial wealth, compulsive acquisition of art, decorated with complicated sub-plots involving serial adultery and divorce. (His failure to decide whether this is industrial history, art history or good gossip must explain the meaningless title.) Thyssen had five wives, though Mr Litchfield's account of these marriages was at the mercy of Thyssen's memory, which was impaired by alcoholism and the arrogance of wealth.
Frank, who came to the catalogue in 1996 from an art history background, found there were many untranslated or out-of-print titles that should have been available to American readers.
"Until recently these frames were not seen as a valuable or interesting part of art history, " explains Alan Montgomery, head of the Frames Department at Bonhams, the London auction house.
Lichtenstein is at this point interested in the history of art, and you can rarely tell whether these marvelous paintings and sculptures are parodies or homages, especially of or to Picasso.
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Islamic art has a rich and ancient history but none of it in the small fishing towns or nomadic encampments that the emirates were until 50 years ago.
Each of the book's chapters is written by a locally based specialist (the authors include auctioneers, academics, consultants and dealers) who examines a country or region's art market history in terms of taste, fashion, value, art types, subjects, sales prices and records.
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