Schoenberg, a former investment banker who now teaches behavioral economics at Columbia Business School.
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Imaginative nonconformity was in the air: Picasso, Joyce, Freud, Stravinsky, Schoenberg, and others were breaking conventional bonds.
Schoenberg first used his 12-tone technique in an entire work in his suite for piano in 1923.
Before Vienna was chosen, the Schoenberg family received proposals from other cities eager to have the collection.
Like his version of Schoenberg, it gives an outside perspective on a cultural fetish and those who fetishize it.
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Gabriel Schoenberg, CEO of Graffiti Tours New York, called Five Pointz one of the most significant street art establishments in the world.
And this despite the fact that Schoenberg fled Nazi persecution in the 1930s.
His best pieces are as rigorous as Schoenberg and as addictive as Mario.
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In 1996, however, Schoenberg's children, Ronald, Lawrence and Nuria, successfully sued the university for neglecting its contract with the institute.
The Arnold Schoenberg Choir and the Vienna Concentus Musicus are conducted by Nikolaus Harnoncourt in the "Qui Tollis" and the "Sanctus" from that Mass.
In other words, Schoenberg as an alley cat might hear it.
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Precisely those qualities, and the integrity which engendered them, won Brahms the esteem of one of the most famous 20th-century progressives, Arnold Schoenberg, the originator of serialism.
Schoenberg, by contrast, sought to express his inmost feelings in a raw, unmediated way instead of using large-scale tonal architecture to shape them into conventionally coherent structures.
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For Schoenberg, Brahms was a forerunner of modernism, whose commitment to structure provided a way forward from the dead-end to which Wagner's unfettered chromaticism was bound to lead.
The consonant music, by contrast, stimulated parts of the limbic system associated with pleasure, and the subjects' feelings were incontestably positive a neurological affirmation of the opinions of those who dislike Schoenberg's compositions.
Like Schoenberg in the 20th century, Porpora was well-known as a composer in London in the 1730s he was second only to Handel in popularity as a writer of operas but equally famous for his students.
After the second world war, he conducted for ten years in Frankfurt and then another ten in London, where he dragged Covent Garden into the 20th century with notable performances of Schoenberg and Strauss.
Until recently, they were part of the Schoenberg Institute at the University of Southern California in Los Angeles, the city in which the composer spent the later part of his life and where he died in 1951.
Just as Kandinsky turned his back on figuration, so did the atonal composers of the early 20th century, led by Arnold Schoenberg, abandon tonal harmony, the fundamental ordering principle on which all Western classical music had previously been based.
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That was in 1963, at a time when the classical-music establishment was still in thrall to the postwar professoriate of Austro-German composers and their foreign epigones who believed that the future of music lay not with traditional harmony but with Schoenberg-style serialism.
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In fact, by the 1960s Los Angeles had played host, however fleetingly, to a huge variety of authors, musicians and artists, among them Bertolt Brecht, Joan Didion, Jascha Heifetz, David Hockney, Huxley himself, Christopher Isherwood, Thomas Mann, Robert Motherwell, Nathanael West, Artur Rubinstein, Arnold Schoenberg and Igor Stravinsky.
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