The Arnold Schoenberg Choir and the Vienna Concentus Musicus are conducted by Nikolaus Harnoncourt in the "Qui Tollis" and the "Sanctus" from that Mass.
He cast himself as Prince Nikolaus von Wildeliebe-Rauffenburg, the hedonistic scion of a fading noble family whose parents want to marry him off to a homely corn-plaster heiress (Zasu Pitts).
But Nikolaus Harnoncourt's Teldec release of the Op. 46 and Op. 72 sets, with the Chamber Orchestra of Europe, makes a case for them not just as important parts of Dvorak's output, but also as integrated cycles of pieces.