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Longing for death on the island of Naxos, she is redeemed by the love of the god Bacchus, who can also seem like the messenger of death.
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The result is a hypnotic, thumping ode to love and death, performed with an air of ennui Gainsbourg would likely have appreciated.
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While this point is certainly debatable, current academic research is becoming increasingly clear that such a love, if not evil, is certainly isolating a fate equivalent to death for ambitious entrepreneurs.
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And that plot is no escape: It's about love, remorse, social conventions, illness and death.
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It is only dealing with the possibility of our own death or taking care of someone we love directly do we truly understand the pit in the stomach of death.
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"Amour" is about the love that binds these two wonderful people, and about sustaining that love in the shadow of death.
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