Her resplendent images reference masterworks by Hitchcock and Godard, and canny, rectilinear framings of scenes shot in cars turn the city, as seen through rear windows, into rear-screen projections, holding natural imperatives and social artifices and inner lives and outer circumstances in exquisite and ambiguous balance.

NEWYORKER: The Captive

Her resplendent images reference masterworks from classic Hollywood and the New Wave, and canny, rectilinear framings of scenes shot in cars turn the city, as seen through rear windows, into rear-screen projections, holding natural imperatives and social artifices and inner lives and outer circumstances in exquisitely ambiguous balance.

NEWYORKER: The Captive

As a crowd of about 200 watched, "Anonymous 9000" spoke on a big screen, his mask and white gloves lending theatrics even as he talked soberly about the inner workings of a movement that has alternately inspired, intimidated and baffled the Web.

CNN: Anonymous members speak out at surreal SXSW panel